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avril 28, 2008

I'm just sayin' - Edwin Decker

Bagged - May-ling Martinez
"Bagged" (detail) - May-ling Martinez
(photo: May-ling Martinez)


I thought it apropos to have Edwin Decker, writer, performance artist, and homme extrordinaire, honor the virtual pages of Art as Authority - which he so graciously accepted to do - notably, for his award winning performance at the California Center for the Arts Escondido Performance Slam, and his text spoken that night, which can be found in its entirety below.

I am one of the very few who do not yet fully grasp the breadth of this man's talent, having just met him briefly that fateful night - well, actually we just smiled at each other as I mumbled a few congratulatory words to him, but, I was nonetheless impressed. Being impressed is not good enough however, so having an ulterior motivation is helpful, not necessary, but it makes me look clever.

I wanted to post Ed's piece for its humorous and satirical take on the "Innocence is Questionable" exhibit at the CCA, but also because it conveniently fell inline with my own sentiments - and I mean exactly. Besides, if you don't show up for the party that was planned and given in your honor - uh, that would be the artists in the exhibit - you never hear what good was said about you. It is unfortunate for them but great for Ed, and wonderful for us. Thanks Ed, stop by anytime. kf





THE name of this exhibit is, “Innocence is Questionable,” about which, the brochure says, “Ultimately, what each of these artists question is whether or not the folly of the world is the responsibility of man?

It’s a synopsis which makes me wonder, how does a great artist illustrate the subjects he or she finds “questionable”?

I look at these paintings and I see the man-made uglies of this urban life made beautiful: The mall escalator, the casino, the toilet in the desert, even the depiction of Best Buy, so bounteous, and blue, and expansive that it becomes a planet unto itself; making me instantly understand that I need another flat screen TV – you know – for the bathroom.

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avril 24, 2008

Inside the Wave: Six San Diego/Tijuana artists
construct social art - A Review

Patricia Frischer, is founder of the San Diego Art Prize along with Ann Berchtold and Joan Seifried, and is also the force behind San Diego Visual Arts Network (SDVAN) - an online métropole of artist resources and arts info unique to San Diego. A long time supporter of Art as Authority, Patricia, is debuting on our pages for the first time in a gesture of cultural cross pollination and collaborative exchange, with a review of "Inside the Wave: Six San Diego/Tijuana artists construct social art" on view at the San Diego Museum of Art. We welcome Patricia, and hope you will too. Enjoy! kf




The particle group, funded by Calit2 and UCSD Arts & Humanities, is among the artists represented in the new San Diego Museum of Art exhibition, Inside the Wave
The *particle group*


The San Diego Museum of Art exhibition Inside the Wave was named by its curator Betti-Sue Hertz for its insider view of a new wave of artists not shown at the museum before. I attended the lecture/panel discussion where they all made presentations including a live Skype hook up with Adriene Jenik from Singapore. Brian Dick, Allison Wiese, Zlatan Vukosavljevic and Nina Waisman from the *particle group* and Bulbo presenting Tijuaneado Anonimos were the other five presenters.

Continue reading "Inside the Wave: Six San Diego/Tijuana artists
construct social art - A Review" »

février 02, 2008

Paul Klein's Art Letter - Part II



Paul Klein Art Letter


There are several shows opening today that I was eager to see. The one that’s had me in suspense the longest is Gordon Halloran’s Museum of Modern Ice installation at Millennium Park for the month of February.

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janvier 25, 2008

Paul Klein's Art Letter - Chicago



Paul Klein Art Letter


We're excited to have Paul Klein as our Special Guest on Art as Authority, graciously accepting to let us reprint his latest Art Letter - an online open letter of sorts covering the galleries and museums in Chicago, Illinois. Writing as if to an acquaintance, Paul is often direct and never afraid of strong opinions, speaking freely and directly to the reader in his unfallible support of Chicago artists. It takes a certain "vecu" and knowledge to understand fully an art community as varied and vibrant as Chicago's. Paul knows this because he has been a large part of its history as gallery dealer, collector, arts writer and corporate art advisor. Paul is a rare breed of those who dedicate themselves to art; we hope you'll dedicate yourself to reading more of his reviews. Enjoy! kf


Art Letter(1/25/08) [#57] Warming Up

I haven’t been writing because there’s been a dearth of good art. Finally that trend is being reversed with the opening of 4 superb exhibitions.

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