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août 28, 2010

Michael Darling: Head Curator of Chicago's Museum of Contemporary Art

Interview by Paul Klein and Art Letter (published with permission)



Michael Darling
Michael Darling - Head Curator, MCA Chicago



On the job just a month, Michael Darling is the new Head Curator of Chicago's Museum of Contemporary Art. Chosen by Director Madeleine Grynsztejn, Darling's appointment confirms the museum's shifted direction since Grynsztejn's arrival. What used to be a "We'll bring art to the Hinterlands attitude," has bloomed into a "We respect what's going on here; let's have a dialog" mentality. Look for it as you read the interview.

Paul Klein: Let's start with the basics. What is a curator?

Michael Darling: I think it's somebody that is, in a way, a filter for the public. It's somebody that's out there, looking at art constantly, seeing art from all periods, all areas, and is hopefully sifting through it, looking for the most exciting, most relevant material, and then bringing that to the public - usually in the form of a museum, or a gallery or, I suppose more and more, online in some way. But I think it would be that - almost an "editor" of all this material out there in the world.

Continue reading "Michael Darling: Head Curator of Chicago's Museum of Contemporary Art" »

août 04, 2010

Court Rules Prop. 8 Unconstitutional

from the press release



Prop 8

Victory! After compelling testimony from California couples who are denied the freedom to marry, Federal District Judge Vaughn Walker ruled today that Proposition 8 is unconstitutional. The case will now move to the Court of Appeals.

We owe Governor Arnold Schwarzenegger and Attorney General Jerry Brown a great deal of gratitude for their unprecedented decision not to defend this discriminatory measure, leaving only Andrew Pugno’s anti-LGBT extremist group to defend the case.

Celebrate this incredible victory by defending it.

Continue reading "Court Rules Prop. 8 Unconstitutional" »

juillet 25, 2010

Three's the magic number



Alberto Contador
photo: Reuters



For the third time in four years, Alberto Contador has won the Tour de France ahead of Andy Schleck who took second and Lance Armstrong - the last tour of his illustrious career - placing a respectable 23rd in the overall standings. I still love this race.


juillet 15, 2010

Space 4 Art offering classes

from the press release


Space 4 Art



Hello Friends,

Space 4 Art, San Diego’s new community-built, work/live arts facility, is currently accepting proposals for arts related educational events.

We have multiple venues for educational opportunities and community outreach including a classroom, patio area, lounge, and gallery.

The cost for the classroom is $15 per hour. The cost for other spaces is dependent on attendance and type of event.

If you are interested in teaching a class, hosting a discussion, booking a lecture, or even screening a film please go to our website sdspace4art.org, download, fill out, and return the educational space proposal form to sdspace4art@gmail.com.

If you are interested in attending a class, please check our website where you will find a catalog and calendar of classes which are also attached.

Thanks for your participation!
Space 4 Art
325 15th Street
San Diego, CA 92101
619.269.7230
www.sdspace4art.org
sdspace4art@gmail.com
Find us on Facebook
Sponsored by Synergy Art Foundation

Continue reading "Space 4 Art offering classes" »

juin 19, 2010

You suck San Diego - A bad decision

from voiceofsandiego.org


Robert Pincus
Robert Pincus


Layoffs Hit Union-Tribune Newsroom

About 35 newsroom employees were laid off at The San Diego Union-Tribune on Thursday, the seventh round of job cuts in the last four years and the first under the newspaper's new editor.

The layoffs, part of a planned reorganization, included familiar bylines: nationally syndicated columnist Ruben Navarrette and veteran reporters such as Anne Krueger (East County), Jeff Ristine (Just Fix It), Leslie Berestein (the U.S.-Mexico border), Michael Burge (North County) and John Marelius (politics).

It continues the slimming of the newspaper, which since late 2006 has cut more than half its staff to combat sagging advertising revenues.


Other confirmed laid-off employees included:
Leonel Sanchez, reporter
Tovin Lapan, reporter
Ozzie Roberts, reporter
Bruce Lieberman, reporter
Jeff Dillon, SignOnSanDiego.com

Robert Pincus, [art] critic

David Gaddis Smith, foreign editor
Steve Adamek, copy editor
Martin Zimmerman, copy editor
Derrik Chinn, content producer
Marcia Manna, community news writer
Leana DeKock, sports desk




The difference this time: The changes are being articulated as part of a new, refocused vision for the newspaper. more

juin 03, 2010

Conceptual Blend



"Thomas Kinkade is creating some of his most compelling imagery and the best art of his life, and we expect he will continue to do so for many more years,'' Frank Teruel, chief operating officer for the Kinkade family of companies, said in a prepared statement. "This is a positive step for Pacific Metro and the entire Kinkade group of companies.''

    — Kinkade manufacturing arm files for bankruptcy protection, San Jose Mercury News


mai 31, 2010

Louise Bourgeois







mai 29, 2010

Dennis Hopper







mai 28, 2010

San Diego Museum of Art







mai 26, 2010

2010 California Biennial






The Orange County Museum of Art has announced the artists for the 2010 California Biennial:

David Adey, Agitprop, b.a.n.g. lab, Gil Blank, Nate Boyce, Luke Butler, Juan Capistran, Zoe Crosher, Brian Dick, Dru Donovan, Mari Eastman, Carlee Fernandez, Finishing School, Eve Fowler, Rebecca Goldfarb, Katy Grannan, Alexandra Grant, Sherin Guirguis, Drew Heitzler, Violet Hopkins, Alex Israel, Glenna Jennings, Barry MacGregor Johnston, Vishal Jugdeo, Stanya Kahn, Andy Kolar, Jennifer Locke, Los Angeles Urban Rangers, Tom Mueske, Tucker Nichols, Camilo Ontiveros, Nikki Pressley, Andy Ralph, Will Rogan, Paul Schiek, Taravat Talepasand, Wu Tsang, Zlatan Vukosavljevic, Nina Waisman, Flora Wiegmann, Allison Wiese, Lisa Williamson, David Wilson, Patrick Wilson, and John Zurier.

Key:

San Diego artist
San Diego artist also in Here Not There.



mai 12, 2010

Halleluja! (sort of)

from CityBeat and David Rolland


The ballad of Seth, Kinsee and Peter
Staff changes at CityBeat bring bad news and good news

Back in February 2009, I used this space [CityBeat] to announce the departure of Kinsee Morlan as our arts editor and the news that Seth Combs would take her place. In that announcement, I put a lot of pressure on Seth by passionately singing Kinsee’s praises, saying hers would be a hard act to follow.

Well, during the course of the ensuing 15 months, Seth responded by saying, in effect, “In your face, Rolland!” You see, not only did Seth take over Kinsee’s art-and-culture responsibilities; he was already tasked with running our music section. His list of duties has grown ever since, and by now, Seth dons more hats than anyone at CityBeat and is also our most prolific writer.

read the rest of David Rolland's eulogy here.

avril 03, 2010

ED FOSMIRE APPOINTED EXECUTIVE DIRECTOR

from the press release


Fosmire
Ed Fosmire



The Board of Trustees of Oceanside Museum of Art (OMA) today announced the appointment of Ed Fosmire as Executive Director. A start date of April 15, 2010 is anticipated. “I’m thrilled to be the incoming executive director for OMA. This museum is truly a class act. Its programs and exhibitions are completely top-notch. I have been so impressed with everybody and everything I have encountered at the museum. Skip Pahl, the staff, board and volunteers have done an amazing job building OMA into what it is today—this beautiful, vibrant cultural gem. Skip’s will be big shoes to fill. But with the leadership of board president, Beate Russe and vice president, Carolyn Mickelson, the rest of what is a very supportive and dedicated board, a great staff and motivated volunteers we will build upon Skip’s legacy and present a variety of programming for everyone in the community—programming whose one common denominator will be excellence.” Said Mr. Fosmire.

Continue reading "ED FOSMIRE APPOINTED EXECUTIVE DIRECTOR" »

2nd Annual Environmental Art Exhibit

from the press release


Encinitas



In collaboration with Green Spring Encinitas and the Cottonwood Creek Environmental Film Series.

Exhibit: Look at everyday objects, found items and reused or recycled materials in a new way through
this juried exhibit at the Encinitas Library. Presented by the City of Encinitas Commission for the Arts.

Dates: Earth Day, April 22 thru Environment Day, June 6, 2010.

Theme: Recycle, Reclaim, Repurpose.

Environmental Art Definition: Submitted work may be reasonably considered “environmental art” if it is entirely, or primarily, composed of at least 85% material(s) that would otherwise have been disposed of in waste streams. This can include 2 or 3-dimensional artwork as well as functional items that fall into the realm of industrial design or wearable art.

Categories
1. Mixed Media—Wall Hanging (2-D)
2. Mixed Media—Free Standing (3-D)
3. Function—Waste Materials into a Working Invention
4. Fashion—Wearable Art

Awards
• Best of Show
• First Place
• Honorable Mention

Opening Reception: Awards will be announced at the Opening Reception for the artists and the public, to be held on Saturday, April 24, 2010 from 5:00 –8:00 PM in the Community Room of the Encinitas Library.
This event will also include the Opening Celebration for Green Spring Encinitas—more details to come. All are welcome to attend.

More info and application here

mars 14, 2010

PacificSD Magazine

by Kevin Freitas


If you're not sure you know my position on the type of arts coverage we have in San Diego, please allow me to clarify: it sucks. One "official" newspaper (Union Tribune), and two alternative weeklies (CityBeat and the Reader) does not make for comprehensive journalism in the nation's ninth largest city. Anyone who has lived elsewhere knows this to be true. Alas, what to do? Reach out. It seems artists and their ilk come into fashion when everything else is going to hell - socially, economically or otherwise. The great thing about reaching out to artists is that it's so damn cheap. It even appears to have caught on locally. For example, the MCA is organizing an exhibition of local artists this summer while more and more glossy magazines feature SD talent between their pages.

And if this sounds like I'm dissing the media (just a little) it's actually a backhanded compliment to one local magazine - PacificSD - who has taken matters into their own hands and joined the ranks of those who support artists. I applaud their initiative. In doing so, they organized the first annual "Whet Paint" art contest which I guess means artists not only starve but can't spell either. Anyway, I will be one of three jurors who decides who eats or at the very least, is featured in the magazine's upcoming April issue. All chiding aside, how cool is that?

I love being a juror.



PacificSD Magazine
click for larger image


mars 09, 2010

Censorship in Temecula

from the press release



© Lora SandersFOR IMMEDIATE RELEASE Contact: Sissi Hale sissi@sissihalestudio.com

CITY OF TEMECULA CENSORS CONTENTS OF TWO ART EXHIBITS, IS SLOW TO ACCEPT RESPONSIBILITY FOR REMOVING ART WORKS FROM PUBLIC VIEW IN PUBLIC BUILDINGS, AND WANTS FURTHER SAY IN FUTURE EXHIBITIONS. Freedom of expression is and always has been a core value in the United States. Who is responsible for determining what the public can and cannot see in public spaces, what is art and what is not, and what is offensive and what is worthy? Who employs the censors? To whom do the censors answer? Is the public willing to be dictated to?

Temecula, California, [March 5th, 2010]--- On January 22, a juried multi-media exhibit titled “Visual Expressions 2010” opened at The Merc gallery in Temecula’s Old Town– minus a nude painted by local artist Jeff Hebron. At the last minute, word was delivered to Sissi Hale, Temecula resident, artist, and curator of the show: the nude could not appear. Less than a week later, two paintings by another local artist, Lora Sanders, were removed from the Temecula Public Library where they had been on display for one day. They depicted a man smoking a cigarette, and a man with a brown bottle in his hand. Later, another of her paintings (of a boy leaning over a girl) was also removed. All the paintings had previously been reviewed and approved by city management. Nevertheless, all were subsequently deemed inappropriate for public viewing by some anonymous official, and were removed without explanation from exhibit in publicly owned buildings.

Continue reading "Censorship in Temecula" »

mars 07, 2010

Things to Do with Art School






Two years at the San Francisco Art Institute (studying painting), one year in the Whitney Museum Independent Study Program.

mars 04, 2010

OUR PUBLIC INSTITUTIONS

from the announcement


Thursday, March 4th

DAY OF ACTION

9.00 AM – 12.00 PM Breakfast at Sustainability Resource Center (next to PC Theater)

9.30 AM BSU Rally at Chancellor’s Complex

11.00 AM Faculty Press Conference at Cross Cultural Center,Comunidad Rm

11.30 AM Walkout/gather at Gilman Parking Structure

11.45 AM March to Geisel Library

12.00 – 3.00 PM Rally at Silent Tree (Library Walk)

including the Arts Collective, Sam Jung, Jake Blanc, Fnann Keflezighi, Mar Velez, Edwina Welch, Kuttin Kandy, Micah Cardenas, Yen Espiritu, Ivan Evans, K. Wayne Yang, Maria Tillmanns, Carolan Buckmaster, Matias Marin, L. Chase Smith, Krishna Sriram. And MCs: Chevelle Newell and Bryant Pena.

2.30 PM Buses leave for All San Diego Rally from Chancellor’s Complex

March begins at Centro Cultural de la Raza (Park & President’s Way) @ 3.30 PM

March Downtown to Governor’s Office (1350 Front Street)

· first-come-first-serve on buses
· travel to downtown also by Rt. 150 atGilman


In light of the recent events taking place on the UCSD campus, spurred by both the continued privatization of the University as well as the organization of racially derogatory events by some students and non-students, there will be a series of protests happening today on the UCSD campus and throughout San Diego. This is an invitation to join in.

Continue reading "OUR PUBLIC INSTITUTIONS" »

mars 02, 2010

Something to do with art







février 22, 2010

North Park for the Arts on Art Rocks! Radio

by Kevin Freitas



If you don't like my lyrics you can press fast-forward
Jay-Z



Divided.JPG
"Divided" - Amy Paul


Amy Paul (North Park artist, business owner - Pigment and Co-chair of NPA) and myself (the long-winded voice of God at Art as Authority) had the chance to talk about the positive changes occurring in North Park (as opposed to all the negativity put forth by SignOnSanDiego's own Keli Dailey) on Art Rocks! Radio the other night. North Park for the Arts (NPA) has made substantial progress as an organization of artists, galleries, businesses and activists who recognize that the arts (their place) within a community's development and growth is not only necessary but absolutely crucial. You can become part of this movement - even if you don't live in North Park - by getting involved in the many events planned for this year, such as the Festival of the Arts and North Park's first gallery guide.

Give a listen to the Art Rocks! Radio interview first, then check out the details on the gallery guide below. The arts in San Diego are what you make it.

Check out what the guide will look like here:


1) NPA Member Packet: http://webserver.joelallen.net/NORTHPARK/2010/GUIDEBOOK/pdfs/NPA_Member_Packet.pdf

This is the general member packet and serves as a general background about NPA. It includes our mission statement and goals, benefits of membership and a brief description about the forthcoming guide.


2) NPA Advertising Media: http://webserver.joelallen.net/NORTHPARK/2010/GUIDEBOOK/pdfs/NPA_Advertising_Media.pdf

The advertiser kit, on the other hand, is meant for larger corporate sponsors that are interested in buying advertising space in the guide. There are 10 of these spaces slated for the book, 9 are currently available. They do not need to be in North Park to participate in this option.


3) NPA Artist Media:
http://webserver.joelallen.net/NORTHPARK/2010/GUIDEBOOK/pdfs/NPA_Artist_Media.pdf

The individual artist media kit is meant for talented artists within our SD community. Its only $50 for annual membership which includes a feature in the guide.


Continue reading "North Park for the Arts on Art Rocks! Radio" »

Launch Trajectory

by Richard Gleaves


Tijuana   —>  San Diego  —>  Los Angeles   —>  Madrid

février 12, 2010

John Baldessari Auction

by Robert Matheny


John Baldessari envelope



TIME IS OF THE ESSENCE



Time and . . . . . . http://www.youtube.com/watch?v=MO95qvh7MRI&feature=related

THE ENDING OF TIME FOR YOUR BIDS ON THESE TWO John Baldessari PIECES IS QUICKLY ENDING. The end: FEBRUARY 14TH AT NOON.

1. AN EMPTY ENVELOPE
2. A SIGNED POSTER



review in today's LA Times here



Continue reading "John Baldessari Auction" »

février 09, 2010

ART San Diego

from the press release


ART San Diego



ART SAN DIEGO (formerly Beyond the Border ICAF) returns with a new name, larger venue, extended dates and a strong curatorial vision (Sept 2 - 5 / 2010)
APPLICATIONS ARE NOW BEING ACCEPTED (DEADLINE FEB. 28.2010)
FILL OUT APPLICATION HERE | DOWNLOAD FLOORPLAN

San Diego, February 7, 2010. ART SAN DIEGO 2010 (formerly Beyond the Border International Contemporary Art Fair), will be held September 2-5, 2010, at the Hilton San Diego Bayfront Hotel. More than 50 galleries will showcase paintings, sculptures, drawings, prints, photographs, videos, and cutting-edge multimedia artworks. The Fair includes a VIP Opening Night, distinguished guest speakers, luxury brand displays, city-wide cultural programs, and exclusive wine and food events.

ART SAN DIEGO’s venue, the Hilton San Diego Bayfront, rises 30-stories at the edge of San Diego Bay. Designed with world-class sophistication and the largest pillar less ballroom in San Diego, it is the ideal place to browse and acquire art, to learn about collecting, and, simply, to have a very good time.

Continue reading "ART San Diego" »

février 04, 2010

This just in



Luis de Jesus


février 02, 2010

"The World is Flat" OR The San Diego Art Prize Unveils its Nominations

drawing by Kevin Freitas


NCIII
click for larger image



Greg Boudreau nominated by Chris Martin, Project X: Art
Kelsey Brookes nominated by Mark Quint, Quint Contemporary Art
Stephen Curry nominated by Robin Bright, artist
Steve Gibson nominated by Laurie Mitchell
Brian Goeltzenleuchter nominated by Teri Sowell, Director of Exhibitions and Collections, Oceanside Museum of Art
Wendell M. Kling nominated by Brian Dick, artist
Heather Gwen Martin nominated by Kim MacConnel, artist and Ann Berchtold, director, Beyond the Borders International Art Fair
Robert Nelson nominated by Tom Noel and Larry Baza, Noel-Baza Fine Art
Julio Orozco nominated by Debra Poteet, collector
Allison Renshaw nominated by Patricia Frischer, coordinator, SDVAN
Lesha Maria Rodriguez nominated by Katherine Sweetman
James Soe Nyun nominated by Tom Driscoll, artist
Stephen Tompkins nominated by Robin Clark, PhD, Curator, The Museum of Contemporary Art San Diego

San Diego Art Prize New Contemporaries III


janvier 20, 2010

Raising the bar



Brian Goeltzenleuchter
Brian Goeltzenleuchter - photo: SD CityBeat



Parts of a whole
Artist Brian Goeltzenleuchter has control of Sushi's gallery space for the next few months—here's how he'll use it
by Kelly Davis

You can’t fully appreciate Brian Goeltzenleuchter as a curator unless you know a little something about him. He’s the guy whose 2009 Institutional Wellbeing exhibit at the Oceanside Museum of Art—a show for which he blended an unlikely combination of performance art, custom fragrance and applied kinesiology to produce a critique of consumer culture and art-as-entertainment. It wasn’t much different than conceptual-art installations Goeltzenleuchter has exhibited nationally and internationally, but this is traditionally minded San Diego and the exhibit didn’t go over too well with some museum-goers. more...


All I got to say is congrats and this: "Tout vient à point à qui sait attendre" kf


janvier 15, 2010

This trancends art. Please help.

from Visual Art Source


Haiti Relief



http://crs.org/
http://www.yele.org/
http://www.redcross.org/
http://www.unicef.org/
http://www.oxfam.org/
http://photos.pih.org/home2.html
http://doctorswithoutborders.org/
http://www.imcworldwide.org/Page.aspx?pid=183
http://www.opusa.org/


janvier 11, 2010

Privatization

by Richard Gleaves







Today MOCA announced it would name gallery owner Jeffrey Deitch as its new museum director.

Other candidates for the position were believed to include Sotheby’s auctioneer Tobias Meyer and art fair impresario Samuel Keller.


Los Angeles Museum Chooses Deitch

janvier 07, 2010

Say it ain't so... tristesse



Kloe among the Turks



Thank you Kloe for all you've done! Good luck, you will be missed!


janvier 05, 2010

For Rent

from the press release


Studio space for rent



Hello Everyone,

Things are progressing quickly with space4art and our first community build is coming up! We will be having another open house this Saturday from 12 to 4pm. The applications are coming in and people are beginning to reserve spaces. If you have not yet seen the space, want to see it again, or want to show a friend please come check it out. We want to give everyone a chance at an affordable studio.

325 15th Street
San Diego, CA 92101

Open House: Saturday, January 9 from 12 - 4pm

Thanks,
Chris Warr

Thanks for your participation!
sdspace4art
Sponsored by Synergy Art Foundation
www.synergyart.org
sdspace4art@gmail.com
www.facebook.com/sdspace4art


Kenneth Noland



Kenneth Noland


janvier 03, 2010

The Future is Now

by Richard Gleaves





The future of art publications? There's an app for that.

Specifically, one that integrates the following information in a single pocketable interface:

  • Gallery map
  • Directions
  • Exhibition images
  • Artist statements
  • Event schedule
  • Art reviews
  • Discussion forums

Currently such apps are available only on the iPhone, which remains cost-prohibitive for many people. This, however, will change as smartphones with app stores quickly become the norm for all mobile phones and service plans.

At that point, once the costs have come down, this sort of app will be the art publication, on the strength of its ability to provide everything one needs to go out and look at art.


décembre 30, 2009

Skip Pahl Skedaddles

from the press release


Skip Pahl

Skip Pahl



Executive Director Skip Pahl of Oceanside Museum of Art Retires After 12 Years

After more than 12 years of dedicated service James (Skip) Pahl, Executive Director of Oceanside Museum of Art since 1997, has announced his retirement effective April 2010. Pahl will remain with the museum until the Board of Directors finds his replacement through a national search. Age 66, Pahl is looking forward to retirement and working on projects that have been on hold due to his passionate commitment to the museum.

Continue reading "Skip Pahl Skedaddles" »

décembre 15, 2009

Bad for you



Giovanni Bellini, Pietà (Pietà Donà dalle Rose)
Giovanni Bellini - "Pietà"



Is art blogging really that bad?


décembre 13, 2009

NEA

by Kevin Freitas


According to the Los Angeles Times, the NEA (National Endowment for the Arts) announced its 2009 grant recipients nationwide. 1,207 projects will receive $26,968,500.00 in funding to help support their endeavors. Here in California, 189 grants were awarded to arts organizations up and down the Golden State for a total of $4,295,000.00. San Diego made up 3.7% of that grant money which will be going to 7 groups primarily involved in theater, music, and film. There were no grants awarded to any visual arts organization, individual artist, museum, non-profit gallery, etc. Not surprising. But unfortunately, I can think of a dozen needy enterprises here alone that could use an infusion of cash in these tough economic times. What happened? Here is a list of the winners (from the NEA website):

  • La Jolla Music Society La Jolla, CA $17,500 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Music
    To support SummerFest, presentations of chamber music and jazz. Under the direction of music director and violinist Cho-Liang Lin and composer-in-residence Christopher Rouse, the festival will include premieres of commissioned works and educational activities.
  • Media Arts Center San Diego (aka San Diego Latino Film Festival) San Diego, CA $15,000 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Media Arts
    To support the 17th San Diego Latino Film Festival. The films and videos exhibited are produced by Latinos or are about the Latino experience.
  • Old Globe Theatre San Diego, CA $40,000 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Musical Theater
    To support the world-premiere production of Whisper House, a new musical with music and lyrics by Tony Award-winning composer Duncan Sheik, book and lyrics by Kyle Jarrow and directed by Keith Powell. Educational and outreach activities will accompany the production.
  • San Diego Asian Film Foundation (aka San Diego Asian Film Festival) San Diego, CA $15,000 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Media Arts
    To support the 11th San Diego Asian Film Festival. Held in the fall, the 10-day event features short films, animated works, documentaries, and narrative feature films.
  • San Diego Opera Association San Diego, CA $40,000 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Opera
    To support a new production of Verdi's Nabucco. Activities designed around the production will include a student dress rehearsal for youth from schools in San Diego County and Tijuana, Mexico; pre-performance lectures; and an artists' roundtable discussion.
  • San Diego Repertory Theatre (aka San Diego REP) San Diego, CA $20,000 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Theater
    To support a residency by Latino theater troupe Culture Clash to create new works. Ensemble members Richard Montoya, Herbert Siguenza and Ric Salinas will rehearse and perform a newly revised version of Culture Clash in AmeriCCa, and develop, design, and perform the world premiere of A Weekend with Pablo Picasso.
  • Theatre & Arts Foundation of San Diego County (aka La Jolla Playhouse) La Jolla, CA $25,000 CATEGORY: Access to Artistic Excellence FIELD/DISCIPLINE: Theater
    To support a fully staged production of Shah Mat. A new play by Naomi Iizuka, the piece will explore the way in which recent wars in Iraq and Afghanistan have impacted the city of San Diego.

While a round of applause should be given to these lucky and I'm sure grateful contestants, it still sends a chill up my spine that no grants were given to the visual arts. This raises a lot of questions and makes me wonder if the artists here (or their network) are unaware of the possibilities that exist, don't care, or are completely dependent on the artworld's hierarchial support for making a buck or even a career. Let's hope this is not the case and there is some reasonable explanation. One thing I do know is, the more artists are dependent on others to provide their sustenance, the more spare change they'll end up with in their pockets. It takes a long time to fill up a penny jar.

Continue reading "NEA" »

décembre 10, 2009

The Fab Lab

by Richard Gleaves








The Fab Lab

4305 University Ave (approx. 4 lights east of I-15)
Suite 130 (on side of building on 43rd)
619.209.7440

www.thefablab.org


The Fab Lab is a non-profit community laboratory where members can use advanced digital design and fabrication tools to make almost anything. The Fab Lab in San Diego is one of thirty in the Global Fab Lab Network, and the only one on the West Coast.

Fab Lab is intended to serve people who have ideas but lack the tools necessary to realize them. It is a place where advanced technology is accessible, and where anyone can invent and execute an original design.

The Fab Lab offers access to and classes for the following tools:

  • Laser cutter/etching
  • CNC machine for large computer cutting
  • 3D modeler
  • Vinyl plotter
  • Electronics building station
  • Computer work stations

For information on December classes contact Katherine.roe@gmail.com

décembre 09, 2009

DIY

by Richard Gleaves





Last Friday I went to the Body Narratives opening at NTC Promenade in Point Loma, not so much for the art but to see how the show was put together by the five students in Mesa College's Museum Studies program who made it happen:

  • Maria Bolivar
  • Megan Daly
  • James Johnson
  • Kevin Kao
  • Samantha Nessel

I spoke with Johnson and Nessel to get a sense of the thought processes that went into the exhibition design, and came away impressed. The thinking was solid, and the design reflected it: fresh use of diagonals in siting the room dividers, a central sweet spot for viewing two of the largest works, and partial visibility of additional works from the sweet spot to lead viewers into the rest of the show.

Johnson explained that exhibition design is one of the topics covered in Museum Studies, and noted that the program brings in experts (such as Michael Fields, lead exhibit designer for the San Diego Natural History Museum) to speak on various topics.

For me the interesting thing about the Museum Studies program is what its name doesn't convey: that the students are being trained not just as potential museum staff, but also as cultural entrepreneurs with all the skills necessary to make successful art shows from scratch.

They're scouting locations, finding artists, doing press releases, designing show cards, contacting newspapers, and signing contracts to secure the exhibition spaces. And they're getting this experience not from an MFA program but from a three-class certificate program at a regional community college. We can only benefit from having such people and programs around.

Program director Alessandra Moctezuma explained that in the past few years the program has moved the student-produced shows out of the Mesa College art gallery and into the community (such as the NTC Promenade space). This makes for a better learning experience for the students, not to mention more art shows around San Diego.

The program's final class places students as interns in local museums or galleries. Johnson is interested in the Mingei, while Nessel is hoping to work with Quint. I wish them the best, and look forward to seeing more shows from them in the future.


décembre 07, 2009

Art Joins the Internet of Things With IntelligentArt™

by Richard Gleaves








International art blog ArtAsAuthority has just released a new device and web service for helping artists track their artwork. Called IntelligentArt, the device is embedded into the artwork itself, and keeps tabs on the work's temperature, location, and other vital signs — including who's looking at the work, what they're saying about it, or whether it's being stored in a closet.

AAA is currently running a one-year trial with 500 visual artists, tracking the status of their paintings, sculptures — and even performances.

We spoke with AAA innovation czar Kevin Freitas about IntelligentArt, and how AAA is tapping into the emerging trend called The Internet of Things. This is where everyday objects become connected to the Internet through sensors and wireless data links. In the case of AAA's IntelligentArt, it is powered by multiple sensors including light, motion, temperature, and remote videocam.

AAA's Freitas described the IntelligentArt device as a "quad-band world phone with data capabilities." Along with the device, IntelligentArt includes a web application which enables artists to actively track the status of their oeuvre from the convenience of their personal computer. Users can set up triggers, alerts, and notices — for example using GPS sensors to alert them when one of their works changes locations.

IntelligentArt users pay a single monthly fee of $15 for the browser-based web service and an unlimited number of tracking devices. Freitas noted that AAA worked with the American Association of Museums to get permission to use the product in their museums — the only such device to have permission from the AAM, he told us. AAA assembles the components for IntelligentArt from a collection of manufacturing partners, using AAA's design specifications.


Real-Time Decisions Based on Sensor Data

Freitas said IntelligentArt will enable artists to make real-time decisions much more easily. For example, if the webcam sensor data indicates that a collector (or one of their associates) is disparaging an artwork, the product enables users to transmit live audio responses through the device's embedded speaker system. Alternatively, users have the option of triggering the artwork's remote self-destruct mechanism.

The initial trial period targets museum-grade artists (for example, Roman DeSalvo), where things like security and knowing the vital signs of an artwork are very important. Also, Freitas highlighted that such artists can collaborate with their dealers on monitoring the sensor data, to ensure proper siting and maintenance of important work.

The trial with professional artists is designed to help them make the "last 20%" of the art lifecycle more efficient. After about a year of this trial, AAA will then launch the product globally as a generally available platform. Freitas expects it will be used by any artist wrestling with personal vision, investment management, control issues, and a buyer's market for art.

Freitas told us that he expects this type of sensor product to "mainstream over time as collectors become used to long-term interaction with artists through their artwork."


décembre 01, 2009

CRAP !



Richard Lacayo


novembre 26, 2009

Artist Studio Space

from the press release


Studio space for rent



Hello Everyone,

As most of you know we are in the process of developing an arts community center in the East Village area. This will have around 30 units of various sizes, 4-5 of them work/live, and significant common space, all at affordable rates (see below for more details). This projects intent is to provide for artists in San Diego and build community. It will be a testing ground and home base for SD Space 4 Art. We have a tremendous oppurtunity to begin to realize the ideas and enthusiasm that have been generating amongst the art community and fueling the goals of SD Space 4 Art. Right now there is a group of dedicated volunteers working hard to pull this off but without the participation of the larger arts community this won't be possible. In order for this to become a reality in San Diego we need: a show of interest, help spreading the word, and volunteers. First off, we need a show of interest and prospective tenants in the next 2 weeks so that we can move forward on the lease. Things are developing fast so please don't hesitate to come see the space and find out more.

Thanks,
Chris Warr

The next viewing will be on Sunday, November 29 at 3:00 pm

325 15th Ave.
San Diego, CA. 92101

Artist Studio Space Available

To all artists, art organizations, musicians, designers and creative professionals:
Affordable artist studio space in San Diego East Village. Spaces range from 250-1740 sq.ft. and Prices range from $220-$1650 per studio, utilities included (some studios heated and air conditioned). Approximately 4-6 work/live units also available. Studios share common space, which includes:

Large Gallery - Event/Performance Space - Outdoor Gathering and Meeting Space - Conference Room - Kitchen - Bathrooms - Woodshop (potential) - Kiln (potential) - Welding Space (potential) - Gated parking offered at a small additional fee.

Thanks for your participation!

sdspace4art
Sponsored by Synergy Art Foundation www.synergyart.org
Contact us at: sdspace4art@gmail.com
www.facebook.com/sdspace4art


novembre 23, 2009

The Art Street Journal

from the press release


The Art Street Journal



The Art Street Journal is an international monthly art publication focused on the most exciting new voices in contemporary art.

The November issue includes:

- Interviews with Dan Witz, Hush and WK Interact
- Features on Conor Harrington, JR, Chloe Early, Armsrock, M-City, Mark Whalen (Kill Pixie) and Candice Tripp
- Previews and reviews of ARTotale, Untitled II: The Beautiful Renaissance, The Ghost Village Project, The Thousands, Represent, the Edinburgh Art Fair and SCOPE Miami
- Images from some of the best of today’s street artists as curated by Unurth’s Sebastian Buck

The Art Street Journal is distributed worldwide. Current cities it can be found in include:
Berlin Buenos Aires Edinburgh Frankfurt Grottaglie Hamburg London Los Angeles Montreal New York Newcastle Paris Porto Alegre Sao Paulo Sydney Tel-Aviv Valencia Vienna Warsaw

People can sign up for a free annual subscription at www.theartstreetjournal.com. If you would like to receive a copy yourself, please send us your full name, mailing address and the best contact phone number and we will send one your way.

novembre 19, 2009

Jeanne-Claude


novembre 15, 2009

It is what it is — Part II The New York Way

from the New York Times, Deborah Sontag and Robin Pogrebin


Jeff KoonsOne day in the mid-1980s, Dakis Joannou, a Greek Cypriot industrialist, was exploring the art galleries of the East Village in Manhattan when he came upon a basketball suspended in a tank of liquid. Captivated, he invested $2,700 in “One Ball Total Equilibrium Tank” by a little-known artist named Jeff Koons. It was, he said, as if a whole new world had opened up to him.

Twenty-five years — and 40 Koonses — later, Mr. Joannou is considered one of the most important contemporary art collectors in the world. And the New Museum of Contemporary Art in Manhattan is preparing to showcase his vast collection in a three-story exhibition, with Mr. Koons, now an art superstar, as the guest curator. More..



The San Diego Way for comparison
More still..



novembre 12, 2009

"Visual Expressions 2010" Juried Art Show - Temecula

from the press release


Art ShackTHE ARTS COUNCIL OF THE TEMECULA VALLEY
"Visual Expressions 2010" Juried Art Show

11th November 2010 - The Arts Council of Temecula this week announced a call to all artists wishing to participate in the "Visual Expressions 2010" Juried Art Show, scheduled to run from January 22nd 2010 to March 31st 2010.

Angela Morris chair of the event said, "Our mission is to raise the profile of the arts in Temecula, and as part of this program we will be organizing a series of events, including juried shows, solo shows, group shows, contests, plein air field trips and other activities in 2010".

Sissi Hale, co-chair of "Visual Expressions 2010" said, "We will be announcing a number of further initiatives in the new year, the Visual Expressions show is just the start of our new program. We want to raise the profile of art within the community, in particular we want to encourage local artists to gain wider exposure, especially new artists looking to break through."

With this event, Visual Expressions 2010, the Arts Council is extending an open invitation to all artists in Riverside and North County. This juried competition will include categories of the following media, including Oil, Acrylic, Watercolor, Mixed-Media, Collage, Pastels, Sculpture, Print, Photography and Glass. Further details are provided below; with full details available in the prospectus (available online by contacting the organizers directly).

Contact Details: For anyone wishing to get further details of the competition, or any related enquiries, email Sissi Hale at sissi@sissihalestudio.com

Continue reading ""Visual Expressions 2010" Juried Art Show - Temecula" »

novembre 11, 2009

The Best of the Best

by Kevin Freitas


Best of San Diego



David White from Agitprop in North Park and Drew Snyder from The Andrews Gallery in Leucadia, have been chosen for the following Best of categories in CityBeat's annual reader's poll. And the winners are Best alternative art gallery and Best art gallery worth the drive respectively. Congrats to them both! Oceanside Museum of Art was voted Best art-scene underdog for what its worth or for whatever that means - I have no idea. Other awards, Lynn Susholtz from ART Produce Gallery in North Park has been nominated for an "Orchid" in the category of Public Art by the San Diego Architectural Foundation. www.orchidsandonions.org We couldn't be happier!



Here are a few excerpts from the CityBeat nominations:

Best art gallery worth the drive

Local art lovers rarely venture north of Quint in La Jolla for openings, but ask someone in the know and they’ll tell you that The Andrews Gallery in Leucadia (1002 N. Coast Hwy. 101, www.theandrewsgallery.com) has been showcasing some amazing local and international talent while also throwing some killer parties. more


Best alternative art gallery

Ah-ha, “alternative gallery.” If you look that up in a dictionary, it’ll say, “The owners don’t make any money selling the work.” Well, at least that’s how we’re going to be defining it today. more

novembre 09, 2009

Happy Birthday



Rachel Rosenthal turns 83 today.

Or 4.5 billion.

Depending.

novembre 08, 2009

Sitôt — A new project launches. Become a part of it now.

by Kevin Freitas and David Fobes


SitotSitôt is an adverb in French that is generally used to designate a moment in time that has just passed — sitôt après - immediately after — or something that is about to happen as in the expression no sooner said than done. It implies a certain (physical) movement or action (trajectory) to be taken, a firm commitment that lies somewhere between the knowledge of the past and the unknown of the future. In other words, there’s no better time than the present. The whole notion of immediacy, of taking action or the taking up of arms (with the written word of course) appeals to me greatly. I wanted to seek out this immediacy through documenting the multitude of events, actions, and history being made daily in San Diego by its artists, their artworks, and those who support them. I would like to trace and record these actions — right now — through a series of interviews, eventual podcasts, video, or even art(ist) publications. My desire is to capture what is being thought about and talked about in the moment. This is why I am launching Sitôt.

Currently, I’m working with David Fobes on a project entitled “Re-collections: Art in San Diego since 1980”. Its goal is to document and publish online, a modest history of the arts in San Diego from the 1980’s until now. The project would also include documenting the music, theater, and dance movements and the people or institutions that helped shape them. We of course understand the magnitude of such an endeavor, but feel it is time to re-position the current art scene in relationship to where it has come from and to recognize the contributions it has already made.

Continue reading "Sitôt — A new project launches. Become a part of it now." »

novembre 02, 2009

McLouvre



McLouvre



with apologies to Jonathan Elsner and I.M. Pei


octobre 21, 2009

"Here Not There" — The encierro of art

by Kevin Freitas



T'is neither here nor there.
Othello

Since the La Jolla Museum of Contemporary Art mounted "A San Diego Exhibition: 42 Emerging Artists" in 1985, tongues have wagged over the question of who was in and who was not.
Leah Ollman, Los Angeles Times, August 18, 1988.



Will tongues still be wagging in 2010 ? According to a recent article by Robert Pincus in the Union-Tribune, the La Jolla branch of the MCA has announced plans for a major exhibition of local artists entitled "Here Not There". A guarded optimism is in order.

Scheduled to open in the summer of 2010, the show's aim Pincus reports, (is) "the desire to present a wide-ranging show, in terms of media and approaches to the making of art." According to the museum, "San Diego has developed a critical mass of local talent.” Hallelujah I say, you might even be thinking the same thing right about now, but wait, there's further cause for celebration. The show's curator Lucia Sanroman, who is also the museum's associate curator, has issued a call for submissions from artists who want to be considered for this exhibit. There is no guarantee of course, as all final selections will be approved and made by a curatorial committee that includes the museum's director Hugh Davies. If interested, the museum's submission guidelines can be found here. You need to be a resident of San Diego County to submit. The deadline is January 1, 2010. And finally, art students at any grade level, are asked not to apply.

Some of that critical mass will be chased down in the nooks & crannies of North County, North Park and further south to what I'm guessing will be Barrio Logan or what according to Pincus, the museum has dubbed as the "alternative art scene." This should raise a few eyebrows, if only to ask "alternative to what ?" Alternative used in any relationship to the art world today, has likely petered out its once distinguishing character of well, uh... existing outside of the cultural norm. Still this is very gratifying; if Sanroman is willing to look in these places by letting the artists out of their pens, she will be richly compensated for her efforts with good works by good artists.

Pincus finally points out that there have been several exhibits here about here within the past twenty-five years. Hunter S. Thompson use to bemoan the fact that the art of writing headlines — maybe titles as well — had been lost. I wonder if "Here Not There" doesn't rank right up there with my favorite, "Innocence is Questionable". But I digress. Here are some of those exhibitions: San Diego '72, A San Diego Exhibition: 42 Emerging Artists, Civilians curated by David Hickey, Common Ground: A Regional Exhibition, Off Broadway: New Art From Downtown San Diego and more recently, the unmentioned Homing In exhibit organized by Quint Gallery and to a certain extent, Quint gallery's thirty year retrospective at the California Center for the Arts, Escondido.

So, for all my naysaying that I have been accused of as of late, I truly hope Sanroman & Co. will take the high road and bring back some dignity to the meaning of the words: alternative, diversity, community and emerging and not Something Old, Something Borrowed, Something Blue but Something New. San Diego despite what some people think is ready — stop coddling — this exhibit might very well be our ticket to adulthood.


The full article by Robert Pincus can be read here.


VACANCY








octobre 19, 2009

Urban Morphology: A Pattern Language

by Richard Gleaves





JOHN BALDESSARI: PURE BEAUTY

from the press release


JOHN BALDESSARI: PURE BEAUTY

Docb2.jpgTate Modern London, United Kingdom
Running from October 13, 2009 – January 10, 2010

The JOHN BALDESSARI: PURE BEAUTY Catalogue is Co-Authored by, UC San Diego Visual Arts Professor, John Welchman.

Welchman was also co-author of the catalogs for John Baldessari: BRICK BLDG, LG WINDOWS W/XLENT VIEWS, PARTIALLY FURNISHED, RENOWNED ARCHITECT, Museum Haus Lange, Krefeld, Germany, March 1 to July 19, 2009; and John Baldessari: Music, ed. Stefan Gronert and Christina Végh, Kunstmuseum Bonn and Bonner Kunstverein (Walter König, 2007).

JOHN BALDESSARI: PURE BEAUTY is traveling to the following locations:
Museu d’Art Contemporani de Barcelona, Barcelona, Spain, February 11 – April 25, 2010
Los Angeles County Museum of Art, Los Angeles, CA, June 27 – September 12, 2010
Metropolitan Museum of Art, New York, NY, October 17, 2010 – January 9, 2011

Continue reading "JOHN BALDESSARI: PURE BEAUTY" »

octobre 18, 2009

FYI

by Kevin Freitas


Meet the Press


The complete video taped session of the "Meet the Press" panel discussion, held at Art Produce Gallery several weeks ago, can now be viewed online. It is a discussion that is absolutely needed and far from being over. You can link to the videos here.



A quick poll:


octobre 15, 2009

Art with Beck

by Kevin Freitas


As the conservative media continues to take pot-shots at anything that remotely smells of the left, it's just a matter of time before they turn their jaundiced eye on the Arts. Everyone's a critic it has been said, and while right-wingers are ranting about everything from the president's selection of artworks for the White House to Fox News commentator Glenn Beck's discovery of Communist artworks in the heart of downtown New York, or Andy Rooney's appraisal of what is or is not public art, you have to wonder if (art) criticism, objectivity, and rational thinking - practiced by some - haven't left the building with Elvis.





Full story can be found here and here.

octobre 12, 2009

"Pablo Picasso was never called an asshole"* OR Raging Art Bull part III

by Kevin Freitas


Raging Art Bull


Philly Joe Swendoza gives us his own version of a double header. In the first round, Philly Joe and I talk about the recent panel discussion held at Art Produce Gallery. Some of you were there to "Meet the Press", if you missed it, you can now listen to the broadcast for a brief summarization of the evening's events.

Segment 1

In the second round, Philly Joe goes solo with a third installment of Raging Art Bull, and wonders if there isn't too much good will prospering in San Diego's art community. Give a listen.

Segment 2


* Jonathan Richman


octobre 07, 2009

Dada is Good for You

by Richard Gleaves






Brain-imaging studies of people evaluating anomalies, or working out unsettling dilemmas, show that activity in an area called the anterior cingulate cortex spikes significantly. The more activation is recorded, the greater the motivation or ability to seek and correct errors in the real world, a recent study suggests.

“The idea that we may be able to increase that motivation,” said Dr. Inzlicht, a co-author, “is very much worth investigating.”


How Nonsense Sharpens the Intellect

octobre 04, 2009

Way of the Art Press



Artweek

You Call that Art?

from the press release


Kelly Hutchison
screenshot in video game (art gallery of SAN DIEGO, CA artist Paul Brogden)


Could this be the future of how art shows are going to be viewed?
Promo video: www.youtube.com/watch?v=JNlQy8gTS7s

You Call that Art? ( part 1 and 2) - The interactive video game Art Show is now available to download and play for free at www.InteractiveArtShow.com

Minimum System Requirements to play the game:
OS Windows 2000/XP Processor Pentium III - 1 GHz Memory (RAM), 512 MB Hard disk space, 1.4 GB Resolution 640 x 480 High Color (16 bits) or better Graphics Card, Direct3D compatible w/ 16 MB VRAM sound card, DirectSound compatible, and DirectX 9.0 or higher (free download of latest version available at Microsoft.com).

Participating artists include:
Bret Barrett, Brian Dombrowsky, Dark Vomit, David Russell Talbot, Paul Brogden, Lindy Ivey, James Ivey, Kim Riot, Sean Brannan, Dan Allen, Bobby Lane, Celene, David Gough, Shayne Yates, and the late Larry "Kosmo" Barnes ( co-creator of the Necronomicon).

About the interactive art show game:
This past November, a group of 50 experienced game designers came together and huddled to try and solve design's toughest problems: "How can video games be promoted as art?"
(article can be read at www.gamasutra.com/view/feature/3974/making_games_art_the_designers_.php )

It brought out a lot of debate on the internet and blogs, and questioned whether video game design should even be considered "art". Regardless of how people may feel... one thing is for sure. Video games are the future and more popular today than they ever have been. "You Call that Art? (part 1 and 2)" sets the stage to ask: not whether video game design can be promoted as art... but rather... "How can video games work better together with the traditional arts?" Lately, it is has been a great concern to hear that "painting is dead" or that "painting is so 18th century". This particular frame of thought creates the very objective of the interactive art show video game. We hope you take the time to check it out the "new art show experience" at www.interactiveartshow.com We would love to hear how you feel about it!

Kelly and Crystal Hutchison
www.DarkVomit.com
www.InteractiveArtShow.com

septembre 30, 2009

Juxtapoz interview with Kelly Hutchison aka Dark Vomit



Juxtapoz - Dark Vomit


Congrats to San Diego artist Kelly Hutchison aka Dark Vomit for scoring an awesome interview in the latest issue of Juxtapoz Magazine. Here's an excerpt:



Knee Deep in Dark Vomit: An Exclusive Interview
interview by Greg Escalante and Wendy Sherman

Dark Vomit AKA Kelly Hutchison recently showed a magnificently bizarre body of work at Cal State Fullerton’s Grand Central Art Center. The art was so imaginative and outright funny that Juxtapoz curator Greg Escalante and GCAC board member Wendy Sherman tracked down the illusive artist and scored this illuminating interview.

Greg Escalante: Nice to meet the man behind the art! So what’s up with the nickname?

Kelly Hutchison: Dark Vomit transpired partly because everyone misspelled my last name. It was a whimsical idea - when I was 13 years old I almost died of a burst appendix. Was in the hospital for three months. It was a military hospital, my dad was in the air force. After the surgery to remove my appendix, my guts started forming abscesses and I was fed off an IV tube for a couple of months. Had a tube in me that went down my nose and reached my stomach to pump and drain it to stop me from digesting. That kept me in a hospital bed for a month and a half that way. It brutalized my appetite, and still does to this day. I am 6 foot 6 inches tall, weigh 145 lbs. and have been the same weight since age 15. From that experience I came up with the idea to call myself “Dark Vomit.”

“A regurgitation of my most twisted inner thoughts.” It is a way for me to pool my emotions in the context that I paint.

The rest of the interview can be found here.


Follow Me Kids - Dark Vomit

septembre 27, 2009

A National Summit on Arts Journalism

from ArtsJournal and the USC Annenberg School for Communication


National Summit on Arts JournalismAt a time when both the art and business of arts journalism are undergoing transformative change, A National Summit on Arts Journalism is being convened to explore some of that change – on Friday, October 2, 2009 at 9AM PDT.

The Summit will present a range of ideas and projects representing current thinking in covering the arts. Five projects were selected in an open call this summer that attracted 109 submissions. Five additional projects will be presented representing broad trends in the field of journalism. Presentations will be made in front of a live audience, streamed over the internet and archived on this website.

The Summit will also include two roundtable discussions about the art and business of arts journalism. The online audience will be invited to comment and ask questions during the Summit using Twitter and chat features.

The live webcast will be found here at najp.org/summit on October 2, 2009, from 9AM-1PM PDT.

A National Summit on Arts Journalism is a project of USC Annenberg School for Communication and the National Arts Journalism Program. It is made possible with the generous support of the William and Flora Hewlett Foundation, the Andrew J. Mellon Foundation, the University of Southern California and the National Endowment for the Arts.

More information here.

septembre 20, 2009

Jamming Poor Al releases new book

by Kevin Freitas


Former San Diego resident and artist, "Poor Al" Barasch, who now finds himself on the other side of Camp Pendleton and living in the City of Angels has released a new limited edition book entitled "Junk Mail Jamming". Here is what he had to say about it:

Two weeks after 9/11/2001, I received a piece of red, white, and blue mail with the giant face of a majestic bald eagle printed on the outside and the type “Urgent Open Immediately” across it. I ripped it open (well... because it did - tell - me to open it immediately) and inside was an advertisement from my local cable TV provider. Instead of picking up the phone and ordering in a flurry of patriotic-fueled consumerism, I decided at that moment that I had had enough of the junk that filled my mailbox every afternoon.

I decided that retribution would involve me wasting just as much of a company’s time and money as they had wasted of mine. I started to draw on postage-paid return cards and pamphlets and mail them back to the companies that sent them to me. I scan in the image when it is completed and then send the original. My first book on the project, Junk Mail Jamming, represents some of the better examples from the series, but not all of them.

Ideally, this will spur on others to do the same thing with their junk mail. If enough people “jam” up the mail, they will stop sending it to us. I don’t think I’m going to change the world, but I sure hope some very bored person working in the mail room at one of these companies gets a kick out of what I sent back (and keeps it). That alone would make it well worth all the effort.




Junk Mail Jamming
cover Junk Mail Jamming


Junk Mail Jamming

200 limited edition signed copies, 56 pages, hardback. $29.95
Purchase: www.pooral.com
Layout/Design: Marcos LaFarga - www.marcoslafarga.com
Preface: Kevin Freitas - www.artasauthority.com
Join the Facebook Junk Mail Jamming group: http://www.facebook.com/home.php?#/group.php?gid=115348681187
Volume 2 in the works: contact Poor Al if you are interested in doing a piece of junk mail for it.

Continue reading "Jamming Poor Al releases new book" »

septembre 17, 2009

Emerging Difficulties

by Richard Gleaves






After the debate over the 2009 San Diego Art Prize about what exactly is an emerging artist, it was fascinating to come across the very same debate taking place in a parallel universe.

Here are the relevant quotes:

After awarding Tony Kushner a record-breaking $200,000 for distinguished playwriting last fall, the Steinberg Trust suddenly realized there was a problem with its plan to present its other newly created award to two emerging playwrights this year. “What we immediately discovered was that we all described ‘emerging’ differently,” said Oskar Eustis, artistic director of the Public Theater in New York and a member of the selection committee. Some of his colleagues thought the prize, created by the Harold and Mimi Steinberg Charitable Trust, was geared towards writers just a year out of school, while others considered “emerging” to refer to a playwright in mid-career.
Defining “emerging playwright” turned out to be like grasping a handful of Jello. Committee members settled on the idea that a writer was still emerging five years after a first production, only to soon note that someone could still be emerging 10 years out, said Ms. [Polly K.] Carl.
Mr. Eustis joined Ms. Carl’s end of the spectrum. Though the final selections are “not identical to who I would have picked,” Mr. Eustis said, he too understands the rough financial circumstances that face even accomplished playwrights. “It wasn’t really bitter, but every one of us is acutely conscious of how hard a life these writers have,” he said. “We didn’t feel like we could give a prize on the basis of need, but what would burst out consistently was, ‘Do you know what this money could mean?’”
This year all three winners have been produced by at least one member of the advisory committee. To Mr. Eustis, such connections are inevitable, since they are in the business of producing promising playwrights. As he said, quoting another producer, “No conflict, no interest.”

Trust Tussles Over Playwright Award Eligibility

septembre 16, 2009

Josh Flood Interview

by Kevin Freitas


Alfred E.Raider
Alfred E. Raider - Josh Flood


One of the nice things about Art as Authority's contributors is, they are independently, very accomplished artists in their own right. They graciously submit to the blog, taking time out of their lives to cover an event or someone else's show. They do this without rancour, freely, and on occasion they too get to share in the recognition they so richly deserve. Take Josh Flood for example, he put on one of the most kick-ass shows San Diego has rarely experienced last year at the Art Produce Gallery. He has not slowed down since, in fact, no one can keep up with him as he turns out his own great work and curated exhibits. Well now, San Diego's adopted son has been interviewed in the Tucson Weekly by Mari Herreras and we're damn proud. Check out the excerpt below and then read the full article. Word up my man!


T Q&A
by Mari Herreras

Josh Flood wants to show how pop art can be more than just depictions of a Campbell's soup can. The 27-year-old says his version of pop art has more to do with what's going on in the world today, and how that world relates to our everyday lives. Flood is part of a group of local artists working to connect young people to art through events, projects and volunteering. Check out Flood's paintings at The Living Room (thelivingroomtucson.com), 413 E. Fifth St., from 7 to 10 p.m., Friday, Sept. 18, as part of Paper Stacks, a group show that includes music and poetry readings. Connect with Flood and see his art at twitter.com/JoshFloodArt. Read the full interview here.

septembre 15, 2009

Call for Submissions

from the press release


film


The Escondido Arts Partnership's Film/Video/Animation Screening Series is putting out a call for short film/video submissions for our next screening night, Oct. 2nd at 7pm.
Submissions are accepted on cd/dvd either as data files (preferable) or dvd formatted, not to exceed 15 minutes. Submissions should be suitable for all ages. Screenings allow time for presentations, discussion, conversation, and refreshments.

The Escondido Film/Video/Art Screening Group seeks to give local artists a voice and community members the opportunity to experience a variety of projects both local and national.

Submit your original film/video to:
Escondido Municipal Gallery
attn: Screenings
262 E. Grand Ave.
Escondido, CA 92025
Please include a self-addressed, stamped envelope if you want your cd/dvd returned.
Guidelines are online at: www.escondidoarts.org (screenings)

For any questions regarding the Escondido Film/Video/Art Screenings, please contact Tzu Fen Wang at tzufen.art@gmail.com

septembre 09, 2009

SHOCKING REVELATION: YVES KLEIN IS AMERICAN — SHUTTERS PAINTED BLUE IN SMALL FRENCH TOWN — VILLAGERS RIOT



volet bleu.jpg


août 24, 2009

The Bank of America

by Richard Gleaves







Robin Pogrebin of the New York Times writes fascinatingly of a new service offered by the Bank of America: turnkey art shows, precurated for convenience, and offered at little or no cost to cash-strapped museums.

Among the choice revelations:

  • BofA's corporate art collection of more than 60,000 works was assembled not by collecting art but by collecting other banks with art collections.

  • After considering selling off the collection, BofA realized they could make more money packaging it as art shows, which serve as effective marketing tools for creating new business.

  • MOMA-level museums won't touch corporate shows unless the work is donated to the museum. Rationale: the space outranks the work, so showing the work in the space would increase the value of the work.

  • Small regional museums, on the other hand, are embracing the corporate shows. Rationale: the work outranks the space, so showing the work in the space increases the value of the space. And in bad economic times the shows are lifesavers.

Tellingly, BofA initially hoped to place the shows in high-end museums, but eventually realized the smaller venues were their target demographic. Said a BofA spokesperson, “Smaller community museums with more need began to ask for our program. They just don’t have the deep pockets, and they don’t have the luxury of saying, ‘We don’t do corporate collections,’ nor do they frankly have the snobbery about it.”

And here's a quote from the director of the Museum of Fine Arts in Houston, which has one of the BofA shows scheduled for exhibition: “There are people in the art field who think that somehow businessmen are evil, and you shouldn’t deal with them, but they have no trouble taking their money. I’ve always thought that was the ultimate hypocrisy. You almost can’t do a contemporary art show without borrowing from some gallery, and those paintings are for sale."

août 13, 2009

Camilo Ontiveros

by Richard Gleaves





Kudos to Camilo Ontiveros, who in 2007 was a San Diego Art Prize nominee, and in 2009 has a solo show at a major Los Angeles gallery with glowing reviews from Christopher Miles in the LA Weekly and Christopher Knight in the LA Times.

Ontiveros accomplished this remarkable ascent in two ways:

  • Getting an MFA at UCLA
  • Making beautiful complex work


août 06, 2009

The effort to build affordable live/work space for artists and arts organizations continues…

from the press release


The next phase of the San Diego Space for art project (sdspace4art) will take place on the weekend of September 11th through 13th, when a group of architects, artists, designers, developers, and community members will gather to take part in a design charrette (workshop). The overall objective is to develop innovative and creative designs for future affordable work/live space for artists and arts organizations.

Approximately 25 local architects will lead design teams comprised of artists of all disciplines, designers, arts adminatrators, arts supporters, community members, contractors, and developers. Among these 25 teams, 6 to 10 buildings and sites will be analyzed to develop architectural programs that will respond to the needs of local artists and communities. The drawings and designs produced can convey the exciting visual and social impact the arts can bring to a community.

WHAT:
You are invited to participate in the upcoming charrette (design workshop)

WHERE:
New School of Architecture and Design
1249 F St
San Diego, CA 92101
619.235.4100

WHEN:
Fri 9/11 3 to 11pm
Sat 9/12 10 to 6pm
Sun 9/13 10 to 3pm

*We understand that most will not be able to attend everyday or for the entire time. We would like to point out that Friday is the most important day for everyone to attend. YOU MUST RSVP: We are limited to 120 people. To participate please reply to sdspace4art@gmail.com with the following information:

Name:
Occupation:
Dates and Times you will attend:
What is your interest in this project?

more info Voice of San Diego

Tom Torluemke - "After Glow"

by Kevin Freitas


Tom Torluemke continues to draw the attention and notoriety he so well deserves with a current exhibit on view through September 27, 2009 at the Chicago Cultural Center. The video includes an interview with Tom about his show. He has also received several positive reviews from various online publications that can be found through the links Iisted below. Finally, I'm proud to announce that Tom has included an essay I wrote about his paintings in a newly published catalog that can be previewed and purchased here. All sales go directly to the artist. Help Tom celebrate this momentous occaision!





Art Talk Chicago
Art Letter
Proximity
The Gallery Crawl and So Much More

juillet 27, 2009

Life Triumphs Over Art Once Again

by Kevin Freitas


Democracy in Cuba
Jenny Holzer in London
(top: Enrique de la Osa / Reuters - bottom: LONDONRUBBISH photoblog by Mark Sheldon)


before: Cuba blocks US ticker with flags of mourning
after: US pulls the plug on ticker in Cuba

juillet 26, 2009

End of another Tour Season - A. Contador in Yellow - L. Armstrong in 3rd

by Kevin Freitas


And I missed it all. This is the first time I've looped the Tour since I saw Greg LeMond ride his way to victory on the Champs Elysées in 1990. The reason: I cut back on my more than outrageously expensive Cox cable service, not only eliminating the Tour coverage but also a couple of my children's favorite cartoon channels. Pathetic I know. Anyway, congrats to Alberto Contador - his second Tour de France win back to back - the first being post-ceremoniously handed to him after Floyd Landis was (embarassingly) stripped of the title last year for doping. It wasn't Mary Jane's fault, it was more like the synthetic kind, you know steriods. Don't do drugs kids! Seven time Tour de France winner Lance Armstrong came in a respectable third place.

Finally, no one ever accused Damien Hirst of not being a savvy artist slash opportunist slash businessman - you could probably say the same for Lance, so guess what, they teamed up. Lance had Damien design one the several Trek bikes he would ride in the tour. Well, decorate would be more precise but the bike still looks pretty bitchin. How about that? And you thought this post was going nowhere.


Tour de France 2009
(L to R) Andy Schleck - 2nd place, Alberto Contador - Yellow Jersey, Lance Armstrong - 3rd place
photo: Patrick Hertzog/AFP/Getty Images


Damien Hirst/Trek/Lance Armstrong
The Damien Hirst Madone

juillet 16, 2009

Fallen Snow



Dash Snow
© Patrick McMullan Photography


more...

juillet 01, 2009

Lux Art Institute 2009-2010 Artist-in-Residence Season

from the press release


Lux Art InstituteLux Art Institute Announces 2009-2010 Artist-in-Residence Season

Lux Art Institute, San Diego’s interactive art destination, announced today the artists who will participate in Lux’s third Artist-in-Residence season, which begins this September.

A significant contemporary art venue in San Diego County where visitors can “see art happen,” Lux is one of the first museum facilities in the United States to establish an innovative artist-in-residence program that focuses on the living artist and the creative process.

“We are thrilled with the artist line-up for the 2009-2010 season,” said Lux Director Reesey Shaw. “Lux is bringing a fresh and exciting pool of talent here, a group of inspiring artists that work in a variety of media, from marble to charcoal to metal. We hope the public will visit often throughout the new season to explore, experience and see great new art for themselves.”

Continue reading "Lux Art Institute 2009-2010 Artist-in-Residence Season" »

juin 29, 2009

Brian Goeltzenleuchter at OMA - some thoughts

by Kevin Freitas


"Though Russe (Beate Russe — president of the museum's board of directors) believes that museums are there partly to educate and challenge their audience, this show reached too far, too fast, in her estimation, for a museum with a populist, even a parochial, bent in its programming." — Robert Pincus, from his review Oceanside's conceptual exhibit risky but worthy


Brian Goeltzenleuchter
photo courtesy: Brian Goeltzenleuchter


How do you know when art reaches too far? Do you try to slow it down, dumb it down, make it accessible to everyone: bite-size sugar-coated morsels for easy digestion and contemplation? Russe's commentary surely raises the hackles on all of us who smell institutional dogma and knee-jerk conclusions. But then beyond partly educating and challenging its audience, what do museums do exactly? And what about those infallible artists: are they not partially responsible for the pétrin Russe finds herself in? Of course they are. The question then becomes, who is responsible for an artwork's content and its subsequent showing after it leaves the studio? The simplistic response would be the artist is responsible for content and the museum for putting the work up on the wall. If that division of labor truly exists, then Russe has no reason to complain. So what is she questioning?

I think, despite Russe's gibberish commentary and the apparent backlash the show has accrued, some of the problem might lie within the show's formal structure and less to do with the artist and his ideas. I have a smidgen of doubt, as incredulous as her remark may seem, that it isn't a matter of Goeltzenleuchter's work being too advanced for the public, but the intangibility of an idea put on display that simultaneously positions itself as an art form laden with art historical precedents — as Pincus clearly points out in his review (a movement that many may be unfamiliar with including Russe), appears to also point an accusatory finger in her direction (clearly tongue-in-cheek), propounds some type of scientific experiment and data to back it up, but might fail in convincing the audience that what they are viewing is relevent and can be meaningful to them. Russe's criticism in an oblique way then, might be questioning what types of art should be made for the museum. What Russe doesn't understand is that art like museums, have limits in their capacity to communicate everything to everyone. It doesn't make the adventure any less exciting for trying, but the art must somehow signal a larger purpose beyond its exhibition when in a public domain (as opposed to a much more private domain such as a gallery). How that manifests itself either didactically or pragmatically with a clear intent, is the key I believe, to a show's successful reading by the public.

Continue reading "Brian Goeltzenleuchter at OMA - some thoughts" »

Iz the Wiz

by Richard Gleaves



Iz the Wiz — a writer who lived largely for sex in a can, and died largely of it, kidney and heart.

The NY Times obit mentions that Cooper and Chalfant's classic Subway Art was recently reissued by Chronicle Books. An art book's art book, this one's for the ages... check it out.


juin 25, 2009

Dreamgirl



Farrah Fawcett


Time to take the poster down boys... our dream has ended.


juin 23, 2009

Shirin Neshat at MCA San Diego

by Richard Gleaves



Segment from Women Without Men


On June 18, the supremely talented filmmaker and photographer Shirin Neshat appeared at MCA San Diego to present her feature-length film/work-in-progress Women without Men.

The film, based on Shahrnush Parsipur’s magic realist novel, is set in 1953 Iran during a period of national political turmoil, and uses the deaths of three Iranian women to explore a host of social issues involving personal and political freedom.

During the post-performance conversation, Neshat and film curator Neil Kendricks spoke extensively about the work's prescience given current events in Iran. What neither of them knew was that two days later, on June 20, Neda Agha-Soltan would lose her life and become an instant world symbol of the current political turmoil.

As a result, Neshat's film — which is six years in the making — has been given the semiotic equivalent of a spin dry set on "hot". It will be interesting to see how this work-in-progress resolves now that life has told its story.

Neda, rest in peace.


juin 17, 2009

Muscle in the Hustle - Panel Discussion - Tom Torluemke

from the press release


Muscle in the Hustle : Contemporary Approaches to Promoting Art


Tom Torluemke
Tom Torluemke - "Sunny Side Up" 2009 acrylic on paper 48" x 72"


Tom Torluemke will be participating in this panel discussion on:
June 20, 2009
12:30 p.m. - 5:30 p.m.
1048 West 37th Street, 3rd Floor
Chicago, IL 60609
info@chgourbanartsociety.com
http://32ndandurban.carbonmade.com/

"Muscle in the Hustle" a 2 session panel discussion moderated by Angeline Gragasin & Gregg Hertzlieb.

The first session will be an artist-led discussion on the successes / failures of promoting their art, and new / unorthodox approaches to the current market.

The second session will be led by a panel of curators and gallery directors whose focus is emerging, contemporary, & local artists. They discuss their successes / failures in promoting their venue / vision / artist selection / & original approaches to attracting audiences.

This event is brought to you in partnership and collaboration with The Chicago Urban Art Society NATIONAL HEADQUARTERS & CISA Gallery. Hosted by The Chicago Sustainable Manufacturing Center (CSMC) in the community of Bridgeport on the south side of Chicago.

Continue reading "Muscle in the Hustle - Panel Discussion - Tom Torluemke" »

juin 12, 2009

Raging Art Bull

by Kevin Freitas


Raging Art Bull


Philly Joe Swendoza, the Ambassador of Cool and everything Art in San Diego, is the co-host of Art Rocks! Internet Radio. He's starting a new segment on the program entitled "Raging Art Bull". It is an opportunity to cut the crap and speak out on a number of topics that concern San Diego's larger and multidisciplinary artistic community. Members from this community will be invited to come on the show and address for example, the role of non-profit art organizations today - who do they benefit? The organization itself? The artist? And what about galleries, who do they help? Or any number of questions and answers the listening public might have and are interested in expressing. Swendoza talks about the new show in the link below. Take a listen, this just might the place to make an impact and be heard. No bull.

http://www.wsradio.com/player/wsradio-player2.cfm/type/windows/show/Art-Rocks!/segment/25022.html?

Further information can be found on the Art Rocks! Radio website.

juin 08, 2009

Sign of the Times Part II or if you prefer - "Controlled Spin"

from the LA Times, Christopher Knight, Culture Monster, and Modern Art Notes (image is not from original article) Additional byline Kevin Freitas


Monogram - Robert Rauschenberg
Monogram - Robert Rauschenberg


Here is some Breaking News that has gone south but only appears to have reached as far as Los Angeles. Why isn't the UT or Reader all over this? Alas, of those things (principally art) going south or at least a little farther east to the Strip, you must read Tyler Green's (Modern Art Notes) scoop and interview with MCASD's Hugh Davies (the concerned Institution's Director) and his response to the debate over collection-to-casino rentals. Or what Christopher Knight called "pimping out" masterpieces from the MCASD's collection. The first part of Tyler Green's article begins here.

I ask, is it a matter of a little extra spare change or a spare tire to loan? You decide.

Finally, speaking of extras I was thrilled to see Larry Baza (a very dear man indeed) of Noel-Baza Gallery complete his jury duty service at the SDAI Museum of the Living Artist this month, but dismayed to see that he had given a Juror's Award to one of his gallery artists. If you follow the blog, you know my position on what the art critic John Canaday refers to as a "sympathetic interest", candidates inducted into the fold by their close proximity to the one doing the selecting. I've spoken about this very same issue before. Recall that this year's San Diego Art Prize was hotly contested by a few (or just me) for its relational politics and rule-bending selection process.

"If a tree falls in a forest and no one is around to hear it, does it make a sound?" If a critic writes criticism and no one is around to read it, does it matter? I wonder.

juin 04, 2009

Grasshopper






CNN

juin 03, 2009

Michele Guieu in the spotlight...

by Kevin Freitas


.. and on the cover of this weeks CityBeat with an interview by arts writer Katherine Sweetman of Lui Velazquez fame (Tijuana) on the inside. Our sincere congratulations go out to Michele along with many more wishes for a long and prosperous career and continued success. Find an excerpt of Sweetman's article with a link to the full story below.



Lust for life
Paris expat Michele Guieu paints away the world’s troubles

By Katherine Sweetman

"C'est la vie" is one of those French phrases that has slipped into U.S. vernacular. The literal translation, “Such is life” or “That’s life,” just sounds sexier in French. It sounds even richer when spoken by someone French.

“‘C’est la vie’ is the title of my exhibition,” Michele Guieu explains in her beautiful accent. “You know, it’s like when something bad happens, but you remain positive.”

It would be easy to say Guieu’s art (see it at www.micheleguieu.blogspot.com) is inspired by such a sentiment on life, but it’s also inspired in a very literal sense. Yes, she’s a painter, but her works are based on imagery from her digital photography. more


Michele Guieu


C’est la Vie
San Diego Art Institute
June 5 – July 12
Opening reception: Friday, June 12, from 6 to 8.

1439 El Prado (Balboa Park)
San Diego CA 92101
619.236.0011
Debbie Wells: dwells@mola-sdai.org

mai 28, 2009

On Derrick Cartwright Leaving SDMA

by Richard Gleaves




Phenomena

  • In the past decade at least 20 different art museums have been without directors at any given time

  • New directors are often recruited from other museums, creating new job vacancies

  • Many sought-after museum director positions remain unfilled, some for as long as a year

Causes

  • An unprecedented increase in the number of art museums

  • A large number of museum directors reaching retirement age

  • Little emphasis on succession planning by museum boards

Consequences

  • Decreases in the average tenure of museum directors

  • Increases in the time required to fill empty directorships

  • Directors surfing the demand/supply asymmetry for prestige and higher pay

Source


Getty Perspectives - Cultural Rights-Past and Future

from the press release


Bill IveyGetty Perspectives
Cultural Rights-Past and Future
Tuesday, June 2, 2009, 7 p.m.
FREE. For reservations call 310.440.7300 or visit http://www.getty.edu/visit/events/selected_shorts_2009.html

The Getty Center
1200 Getty Center Drive, Los Angeles, CA 90049
info@getty.edu
http://www.getty.edu
Hours: Tuesdays - Fridays, 10am-5:30pm; Saturdays, 10am-9pm; closed Mondays and major holidays.
To view this announcement online: http://artscenecal.com/0509/Getty0509.html


Do artists have a right to a prominent and engaged presence in public life?

Ask Bill Ivey, who penned the Cultural Bill of Rights during his tenure as the chair of the National Endowment for the Arts. His advocacy for a greater role for culture and creativity in our national dialogue inspired President Obama to appoint Ivey to lead his transitional team on arts and the humanities.

Ivey is joined by cultural critic Lewis Hyde for a dialogue about the social value of the arts, of the cultural commons, and how policy and theory should ensure open access to creative work.

This program is the first installment in a new occasional series, Getty Perspectives, which will bring distinctive voices to the Getty to discuss the arts and the relationship of visual culture to our broader public culture.

About the Speakers

Bill Ivey
Bill Ivey was chairman of the National Endowment for the Arts from 1998 to 2001 and director of the Country Music Foundation from 1971 to 1998. He was twice elected Chairman of the National Academy of Recording Arts and Sciences. His most recent book is Arts, Inc., which details "how greed and neglect have destroyed our cultural rights." He is also founding director of the Curb Center for Art, Enterprise, and Public Policy at Vanderbilt University.

Lewis Hyde
Lewis Hyde is a poet, essayist, translator, and cultural critic with a particular interest in the public life of the imagination. He is the author of The Gift, which was recently reissued in a special 25th anniversary edition. A MacArthur Fellow and former director of undergraduate creative writing at Harvard University, Hyde is the Richard L. Thomas Professor of Creative Writing at Kenyon College.

mai 27, 2009

Call for Art Historical Knowledge

from Artforum and e-flux


Albrecht DürerArtforum and e-flux
Call for Art Historical Knowledge

Artforum and e-flux are pleased to announce the launch of the Art & Education Papers archive and a call for scholarly articles from around the world!

Artforum and e-flux are pleased to announce the launch of the Art & Education Papers archive, a new global platform for sharing and distributing research and knowledge in the field of contemporary art.

A&E Papers aims to exponentially widen the accessibility and reach of art historical and critical discourse by hosting a free online platform for the publication and exchange of texts on modern and contemporary art. Art historians, students, critics, and artists alike will have the opportunity to gain access to a far greater and more focused readership than conventional publishing allows, while also enjoying unlimited access to a deep archive of scholarly writing by and for Art & Education's rapidly growing audience, which currently comprises an international network of more than 70,000 visual arts professionals and academics. At a time when the distribution of many forms of knowledge remains confined to small conferences, private seminars, or specialized academic journals, we believe that the broad distribution and exchange of ideas is key to increasing dialogue in all aspects of art production, criticism, and history.

In order to build the A&E Papers database, we are now calling for either new or already existing (published or unpublished, recent or older) scholarly articles from around the world. Texts should be comprehensive, research-based articles focusing on topics in 20th century and contemporary art. Texts may be culled from conference papers, seminar papers, dissertation chapters, etc. We ask that you submit pieces anywhere from 2,000 words to approximately 10,000 words and include a 100 word abstract and full contact information (or publication information for previously published texts). All submissions will be considered for publication on the website.

Please submit articles by email to papers@artandeducation.net and consult the website for further information and updates: http://www.artandeducation.net/papers

Art & Education is a collaboration between Artforum and e-flux.

mai 01, 2009

ART THEFT IN SAN DIEGO

by Richard Gleaves




Estimated value $5,000 to $10,000.

If you have any information regarding this artwork please call the San Diego Police Department at (619) 531-2000.


avril 11, 2009

Glenn Dobrusky - A Sad Loss

by Kevin Freitas


In a piece of wood I look for a pelican, and may find an eagle. I keep a wood stash. Some days you feel like a duck and sometimes you don’t. You have to be in the mood. If you don’t have the juices flowing, it won’t work. When it does work, it’s priceless. You can’t buy that feeling, having designs bear fruit, and it can disappear in a heartbeat.



Some of you may know that other than keeping Art as Authority running, I work for a gallery in Coronado. It is far removed from the contemporary art scene I'm used to and primarily deals in wildlife art. One of our artists, Glenn Dobrusky, was accidentally killed this past Tuesday doing what he loved to do most - sculpt. He was 58 years old.

Glenn lived in Gold Beach, Oregon. He led a reclusive life with no phone or internet access, obliged to descend from his mountain top to make a call or send an email from the public library. Glenn would scour the beaches and forest for driftwood and fallen trunks and branches. The blustery winters would reward him plentifully with madronna, port orford cedar, myrtle, maple, oak and alder woods. All it took from Glenn at that point was "to be in the mood" - which was never very difficult for him.

Glenn was an excellent sculptor, at the top of his craft, producing some of his best work in years. He was dedicated, passionate, genuine and one helluva nice guy. He put to shame all those chainsaw happy, grizzly bear carving faux sculptors pandering their wares from Tucson to Utah. I will miss his candor, his gruff voice on the telephone, and unpacking his treasures freshly delivered to the gallery's doorstep. I will miss the man, I will miss his art. Farewell my friend, I hope the Good Lord has a place for a pelican or two. The full story can be read here.


mars 24, 2009

"Version" Online Arts Journal

UCSD NEWS RELEASE


Media Contact: Tiffany Fox, 858.246.0353, tfox@ucsd.edu

'Version' Online Arts Journal to Experiment with Content, Viral Publishing

Reception to be held April 2 at the gallery@Calit2, UC San Diego

San Diego, Calif., March 24, 2009 — A new online journal based at the University of California, San Diego, is experimenting with Web 2.0 sensibilities to explore the space where art, viral publishing and multitasking collide.

Titled Version, the journal features short-form writing, photography, video and other media work limited to 500 words, five images or 50 seconds in length. Co-editor Jordan Crandall, an associate professor in UC San Diego's Department of Visual Arts, says the publishing constraints are intended, in part, to accommodate an increasingly crowded online world, where content must compete for the attention of users who are already bombarded by constant media feeds and the demands of social networking.

"The idea behind Version is to avoid publishing long academic essays that require a substantial investment of time," Crandall explains. "Instead, we're interested in work that you can read in conjunction with the other things you're doing on the Internet. In this way, Version lends itself to a kind of multitasking space, where the content stays agile, mobile and re-mixable."

The public is invited to celebrate the launch of Version at a reception from 5 to 7 p.m. Thursday, April 2, at the gallery@Calit2, located in Atkinson Hall on the UCSD campus. The reception will include a presentation on the history and development of Version. Calit2, otherwise known as the California Institute for Telecommunications and Information Technology, is producing the journal in conjunction with UCSD's Visual Arts Department and its Division of Arts and Humanities.

Although the journal's content will initially be published within the confines of the Version Web site, co-editor Caleb Waldorf imagines it will spread by way of 'viral publishing' — a means of sharing content among users until it ultimately lives in a multitude of spaces online.

"We purposely designed our content modules to be the same size as the advertising blocks you see on most Web sites so that they can reside anywhere on the Web," says Waldorf, who is a Los Angeles-based artist, former UCSD Visual Arts graduate student and researcher with the Center for Research in Computing and the Arts at Calit2. "The way we title the content is flexible enough that it can be recognizable in other places, almost like a code string."

A Version essay about the deadpan humor of conceptual artist John Baldessari, for example, is titled "Illuminations.john+c+welchman.deadpan.022609," reflecting the journal content category ("Illuminations") the author (UCSD's John Welchman, professor of modern art history), the title of the piece ("Deadpan") and the date of publication. When displayed in a Twitter feed or as a Deli.cio.us bookmark, the titling mechanism serves as a marker of Version's brand identity, but is also understandable to users who have never visited the Version Web site.
"Eventually," Crandall predicts, 'Version could become a decentralized journal. We hope our identity will carry through as the content gets forwarded and resides in other places, but perhaps it will mutate, and maybe that's interesting, too."

While the majority of the journal's initial contributors are faculty and affiliates of the Visual Arts Department, Crandall and Waldorf say they are especially interested in transcending disciplines and genre divides and welcome contributions from anyone up to the challenge.

"Our idea is to publish work that is based in anecdote and allegory: Stories, scenes and encounters that happen in everyday life, things we can all relate to," Crandall says. "Although there is a certain experimental element behind this project, it's not a grand philosophical argument. It's about the texture and richness of physical experience. It's about that sensory charge you get when something resonates with you.

"With good art, you want to pay attention to the infrastructure and form, yes, but also the content. And in order for this journal to work, the content has to be compelling, evocative, rich and full of life."

gallery@Calit2
UCSD Department of Visual Arts
UCSD Division of Arts and Humanities

mars 17, 2009

Survey for San Diego Artists and Arts Organizations - ACT NOW!

by Naomi Nussbaum, Mario Torero, Cheryl Nickel, Synergy Art Foundation


To - Attendees of the December '08 Artspace Meeting

At last!
Attached is a link to the Survey for San Diego Artists and Arts Organizations. We are sending this to all who attended the Dec '08 Artspace presentation, and others who have expressed interest in the fate of the Arts in San Diego. Please forward this survey link to anyone you think may be interested. We hope to have 3,000 responses by deadline of April 15 '09.

If you are not an artist or a representative of an arts organization but wish to be involved or informed, please send a return email with your name and contact information. Iif you are interested in volunteering to help with the project , please let us know your area of interest. We will be organizing a "task force" to help with the many aspects to address - Finance, Politics, Research, Community, Philosophy, etc.

http://www.surveymonkey.com/s.aspx?sm=DDEBzMDXs_2f0wf3yK_2fcYr8Q_3d_3d

Thank you for your support,

Naomi Nussbaum
Mario Torero
Cheryl Nickel
Synergy Art Foundation

janvier 20, 2009

"YES WE DID" - President Barack Obama



Obama Inauguration
photo CNN

janvier 16, 2009

Andrew Wyeth, Revered and Ridiculed Artist, Dies

by Richard Gleaves





décembre 24, 2008

Thanks, Mr. Broad!

by Richard Gleaves






décembre 19, 2008

STOLEN !

by Kevin Freitas


The more often than not perverse side of art is that it is often treated as a commodity for profit or to support some political and sometimes philanthropic agenda. It is only as valuable as it is needed and desired. You only have to look towards the major auction houses and blue-chip galleries to realize who is controlling the lion's share of the art market. Politically, Shepherd Fairey's blitz of Obama imagery has defined the "look" of a campaign that may or may not have anything to do with how the President-Elect is going to perform. Finally, in San Diego you have CowParade trying to bootstrap its way into the hearts and minds of the public with Disney-like cows and a Wal-Mart shopper's budget to pay the artists with. The point is art's very fragile and very subjective market value coupled with an overly inflated history of "famous" artists and million dollar works of art, has the disastrous effect of being "valuable" (the product that is) for all the wrong reasons. Aesthetics rarely has anything to do with it. And when times are economically tough as they are now, the first "commodity" generally to hit the cutting-room floor is art. What was once deemed "food for the soul" is now viewed as dollar signs. It reminds me of the cartoon character Wile E. Coyote who is so hungry he only sees a cooked headless roadrunner streaking by him. Even though the value of an artwork is artificial to some extent, it is believed to possess some intrinsic value that will (eventually) guarantee a payoff. Art is always valuable isn't it? This is at least what we are led to believe. Otherwise, why do we keep on trying to get more for it or even steal it?

I hate people who steal period, and without any moral or self-rightous do-gooder preaching attached to it, I simply believe it is wrong. But this is exactly what happened to my good friend and artist Tom Torluemke. Tom whom I've known since the early 90's and even showed several times in Chicago, and here in San Diego, had two very large paintings stolen recently in Hammond, Indiana. Unbelievable! Two other pieces were also apparently swiped from another artist after the group show the artists were collectively in had closed, and their works were waiting to be picked-up. You can read more of what happened here and how you can help if you have any information as to the whereabouts of these paintings. For us living on the West Coast, it might be a long shot, but empathy goes a long way in these situations and beyond the obvious loss of artwork and all that it implies materially and spiritually for an artist, if there is one person who doesn't deserve this, its Tom. The man has dedicated his life to art and what it can give to us as mere spectators. We should be grateful and not like the idiots who stole his work! Images of the two paintings in question can be seen here.

décembre 14, 2008

Mainstream du jour

by Richard Gleaves





Unaltered photo and headline from today's Yahoo News, demonstrating a longstanding American tradition of official disrespect towards lame-duck Presidents.

décembre 04, 2008

KAI ONE Interview in the Arizona Daily Wildcat

by Kevin Freitas


If you haven't already figured it out by now, our friend KAI ONE never stops painting, never stops writing on and off the wall, and never gives up. There's something else you should never doubt either, not ever, graffiti my gentle reader is Art with a capital "A". It isn't High Brow and it isn't Low Brow, it's art. Pure simple expression, pure complex form and color and it takes an unwavering dedication from its creator to make it happen. The weight of graffiti's negative image is slowly being lifted by artists like KAI ONE, who have successfully bridged the gap between a somewhat pretentious fine art world and art from the streets, an art that burns like a fire in the belly. The Board Culture industry for example, has recognized this talent and is now giving overdue homage to these "street" artists by bringing them into more economically viable product lines and support. You can show your support as well, for KAI, and the rest of the graffiti artists who are keeping it real by reading the following article from Marisa D. Fisher in the Arizona Daily Wildcat, entitled "Cans carpet canvas with aerosol aesthetic". There's an excerpt below. And if you would like to see some original artworks by KAI, click here. KF


Cans carpet canvas with aerosol aesthetic
By: Marisa D. Fisher


photo Sheldon Smith
photo: Sheldon Smith


If kids don't want to color inside the lines, nobody's going to be able to make them; such is the nature of graffiti art. In a perhaps well-intentioned but tritely ironic gesture, Tucson's Graffiti Removal Program provides an anti-graffiti coloring book for printing from their Web site. Inside, Mr. Tuffy the boxer encourages his young audience to "Knock out graffiti in Tucson!" with messages including the slogan, "Graffiti is unwanted markings." That's not just bad grammar; it's an overgeneralization of an underrepresented art form. more...

novembre 26, 2008

"Bright Lights, Big City" - A television debut

by Kevin Freitas


I was contacted by N Art Magazine last week, a virtual art magazine of sorts that is part blog and part television crew that covers the arts scene from "Southern California, to Los Angeles to Northern Mexico, Arizona and all points West." Their stated mission is: "To promote and foster appreciation of the arts in the area" and goes on to say, "N Art Magazine is created by artists for artists and those passionate about the arts. We showcase individual artists as well as explore the region's art happenings in an effort to enrich our varied culture." Excellent!, exactly what San Diego needs more of.

There always is a certain amount of serendipity in these types of encounters, which are for the most part, opportunities to be heard and showcased. I was fortunate enough to be interviewed about Art as Authority, while inside Luis de Jesus' Seminal Projects Gallery, when San Diego artist David Adey (and recent San Diego Art Prize nominee) still had his work on view. David also had the chance to be interviewed about the work, and I must say, came off like a pro before the camera. I won't say how many takes it took to get through mine!

There was also the opportunity to speak about the Exquisite Corpse dinner organized in support of the San Diego Visual Art Network. An original idea by Escondido artist and sculptor, Dave Ghirladucci, who contacted San diego artist Michele Guieu - a San Diego Art Prize nominee this year as well, and who later contacted me to join them. What a night! A six course meal, 6 performances, plenty of wine and good conversation, a live chicken, and plenty of DADA antics and absurd moments. Dave's son Alex, our silent Maitre d, insured that there was never a dull moment for our unsuspecting guests of twelve patrons.

N Art Magazine will be televising all this and more, this coming Sunday November 30 at 4pm on KGTV Channel 10 San Diego. Here is what else is in store for you from N Art Magazine:

The third episode of N Art Magazine is a cornucopia of visual and conversational delights. We've taken the ordinary elements of the holiday table and found artists whose work reflects them. Join us as we visit with acclaimed sculptor Boban, who creates dynamic figures out of silver spoons, ceramic artist Jake Allee, mixed media artist (and guest co-host) Simon Loli, glass artists from the Escondido Municipal Gallery, Art as Authority art critic and blogger Kevin Freitas, visual artist David Adey, a DADA inspired dinner, new Gallery Walk artists and a few surprises. You can enjoy this sumptuous feast with no calories on KGTV, Channel 10, on Sunday, November 30 at 4 p.m. For more information, contact Lisa Bebi at 619.916.9040 www.nartmagazine.com

novembre 20, 2008

KAI ONE - "Urban Detritus" - Works for sale



KAI ONE is a damn fine graffiti artist. The homeboy from Tucson has something special running through his veins, other than Krylon Ultra Flat Black, that gives him a brillant artistic edge over his competitors. It is first and foremost, his dedication to the art form of graffiti. Secondly, respect for others and his art, and an unsatiable drive and energy that pushes him to innovate, take risks, and generally improve upon the state of graffiti today. "Don't count the kid out," is one of KAI's mottos - a way of life perhaps - that insures that we won't. His work is just too strong. Keep this in mind while you're admiring the works below: KAI ONE is to graffiti what Muhammed Ali was to boxing - a champion!

All the pieces on view, have come from KAI's first one-man show at Art Produce Gallery in San Diego. If you would like to know more about his process and influences, a video interview of KAI alongside his work in the gallery can be seen here. All purchases will be securely packed and fully insured for shipping. PayPal is accepted and purchases can be made through eBay if you prefer. Please direct all inquiries and questions to artasauthority@artasauthority.com Thank you!


Beast
"Beast"
acrylic, gesso, house paint on canvas - 30" x 24"
$ 150.00

Continue reading "KAI ONE - "Urban Detritus" - Works for sale" »

novembre 18, 2008

Movers and Shakers: Who’s Who in the Visual Arts
in San Diego - bis

from the press release


Movers and Shakers

Movers and Shakers


San Diego Visual Arts Network, L-Street Fine Art Gallery and SanDiegoArtist.com present:

Who Do You Love? - Movers & Shakers: Who’s Who in the San Diego Visual Arts World
Local Artists Portray Local VIPs

The established artists chosen for the 2009 San Diego Art Prize will also be announced that evening!

November 22, 2008 to February 4, 2009
Opening Reception: Saturday, November 22nd 8-9 pm

L-Street Fine Art Gallery at the Omni Hotel 628 L Street, San Diego, Ca 92101
Gallery Hours: Tuesday through Saturday 10 a.m. to 5 p.m., Sundays 1 to 5 p.m.
Info: Patricia Frischer 760.943.0148 or Ann Berchtold 858.254.3031
www.moversandshakers.sdvag.net


MOVERS AND SHAKERS LIST - BIS (Artists are in bold)

Patricia Bean - Constance White (Art Program Manager, Public Community & Customer Relations Dept, San Diego County Regional Airport Authority)
Dan Camp - Jonathan Segal (Jonathan Segal FAIA & Development Company)
Alida Cervantes - Jean Lowe (Installation artist, lecturer at UCSD)
Mireille des Rosiers - Felicia Shaw (Director Arts and Culture, The San Diego Foundation)
Raymond Ellstad - Mary-Catherine Ferguson (Museum Director, California Center for the Arts, Escondido)
Gerrit Greve - Derrick Cartwright, (The Maruja Baldwin Director, San Diego Museum of Art) and Vas Prabhu (Deputy Director for Education and Interpretation, SDMA)
Raul Guerrero - Larry Poteet (lawyer, SDAI board member, and Debra Poteet art collectors and both honorary VIP hosts for SD Art Prize)
Pamela Jaeger - Robert Pincus (Art Critic and Books Editor, The San Diego Union-Tribune and Sign-On San Diego)
Philipp Scholz Rittermann - Mary Beebe (Director, Stuart Collection, University of California)
Jeff Yeomans - Hugh Davies (The David C. Copley Director, Museum of Contemporary Art San Diego)


More information and a .pdf document with images of all ten artists from Movers and Shakers at L-Street can be found here.
Movers and Shakers

novembre 05, 2008

No. 44

by Kevin Freitas


US President-Elect Barack Obama
AP Photo Mark Lennihan

octobre 05, 2008

Ed Klima

by Richard Gleaves

klima.jpg


Linguistics professor Ed Klima passed away on Sept. 25.

Best known for his research on the signed languages of the Deaf, Klima and co-researcher Ursula Bellugi showed that signed languages are the full equivalent of spoken languages, with detailed grammars expressed in a purely visuospatial modality — a notion with serious implications for the visual arts, and one yet to be explored.

Ed is less known as a teacher, and a great one. He taught an undergraduate poetics class which revealed both a love of poetry and a soul that radiated a highly-refined bohemian goodness. His bio shows him having spent a year in Paris during the 50's, and everything beneficent that one might imagine from such an experience seemed to have infused his soul.


août 19, 2008

Words and Music

by Richard Gleaves


Manny Farber



août 18, 2008

Obama '08: Art for Change - A Call to Artists



An International group art show supporting Barack Obama for President sponsored by:
The Art of Framing Gallery in Normal Heights.

Make a difference and participate now!

Opening: Friday, September 5 and Saturday, September 6, 2008
5:00-11:00 PM
3333 Adams Avenue
San Diego, CA 92116
619.563.9770

$10 general public
First 500 people each night will receive a free "Yes We Can" bracelet
50% of the show's proceeds will be donated to the DNC's Victory Fund


Michele Guieu
Work by Michele Guieu


Because we have been inspired by Barack Obama's message of change and unity, we are hosting "Obama '08: Art For Change;" an art show featuring 50 artists from across the United States. As a group that values creative expression and supports free speech and thought, the art community has a unique opportunity to participate in Obama's grassroots campaign by not only supporting a candidate with a strong arts platform, but also by being able to contribute to the Victory Fund from the sale of their artwork. Here are a few of Obama's positions on Arts and Culture: Reinvest in Arts Education, which would include: Expanding Public/Private Partnerships Between Schools and Arts Organizations, Creating an Artist Corps, and Publicly Championing the Importance of Arts Education; Supporting Increased Funding for the NEA; and Ensuring Tax Fairness for Artists. For more on his Arts and Culture Platform visit: http://www.barackobama.com/issues/additional/#arts
Continue reading...

Continue reading "Obama '08: Art for Change - A Call to Artists" »

août 11, 2008

Scott B. Davis at Hous Projects

by Richard Gleaves



San Diego photographer Scott B. Davis's current show at Hous Projects in NYC has received critical mention in the New Yorker and Village Voice.

juillet 27, 2008

Carlos Sastre - Winner Tour de France 2008



Carlos Sastre
Photo credit: PASCAL PAVANI/AFP/Getty Images

juillet 05, 2008

Le Tour de France

by Kevin Freitas


I'm in Heaven for the next month. Forget about art, vive le tour!




mai 13, 2008

by Richard Gleaves


bob

mars 21, 2008

Help ART Now - VOICE 171



The Wonderhaus and Voice 171 (formally Voice 1156)

Wonderhaus

To hear Monica Hoover tell it, she needs your help and now!

It's unlikely that there is someone left in San Diego who doesn't know who Monica is - artist, lifestyle photographer, "creative activist" and co-founder of Voice 1156. I've known Monica for about a year now after reviewing one of her solo shows at the Rubber Rose Gallery on Ray St. That show, like everything else Monica does was/is perfection. She is un-relenting in her pursuit of bringing artists together, showcasing their works and bringing the public into the fold through exposure, dialogue and education. She is tireless and dedicated to the Arts in general and to the larger artistic community here in San Diego. This is where she wants to be, this is where she wants to stay and she's asking you for your help to achieve that goal.

Monica is in the process of re-locating and re-establishing Voice 1156 in its future location within the Wonderhaus or former Wonder Bread factory, built in 1924 and located in the Ballpark District of downtown San Diego. She has this to say,

"The opposition we are up against is the city, and the laws and regulations the city represents and enforces. I am confident we will get what we need, but it will speed things up a great deal if we show the California and San Diego community supports VOICE as well. We need to show the city that a venue like VOICE is wanted and needed in San Diego."

For those of you who are not familiar with Voice and what they do, here is a brief Mission Statement:

VOICE is a mixed use art and culture facility. Offering art shows changing monthly paralleled with a music venue featuring live music performances. The space will also include a small retail store that sells art related merchandise and a café that will dual as a full kitchen to be utilized for catering special events. The motto of VOICE is “Practice Creative Activism”. Gauging from our experience at our previous facility VOICE 1156, our current goal is to take our grass roots origins to a more mature, professional level by creating financially stability to support our establishment. Additionally we are in the process of setting up a non-profit “YOUTH VOICE” - that focuses on sharing art education to youth through tours, lectures and workshops. VOICE’s intent is to be the leader in the urban, young and progressive arts movement in the emerging downtown San Diego scene. It's not that the lack of people in San Diego – creative individuals and creative patrons, it's the lack of proper facilities. Voice’s intention is to be a part of the contributing leaders whom want to change our San Diego’s scene and reputation.

Monica asks, "It would be AMAZING - if you could print out the 'Signatures for VOICE' sheet - have people sign it - and mail mail it back to me. Monica Hoover P.O. BOX 1017 Jamul, CA 91935"

Won't you please help Monica and all of us who are committed to a vibrant and dynamic arts community in San Diego? Become a Creative Activist and take responsibility for the future of the Arts, you'll be glad that you did. Further information and the "Signatures for VOICE sheet" can be be found below.

VOICE Press Kit (please email me at artasauthority@artasauthority.com and I will send the .pdf document to you.)

Signatures for VOICE sheet

Wonderhaus

Monica Hoover

Thank you.

mars 18, 2008

"Childhood's End" - Arthur C. Clarke dies

by Kevin Freitas


Politicians should read science fiction, not westerns and detective stories.
-- Arthur C. Clarke

Arthur C. Clarke
Image of Arthur C. Clarke by Charles Adams, Science &
Society Picture Library, London


There's definitely a part of my adolescence ending with the passing of Arthur C. Clarke today, a mere 90 years of age, such a great loss. I read "Childhood's End" by Clarke in high school, Soquel High (Santa Cruz), English 1B, a class obliged upon those of us who did not fair well enough on the english proficiency exam to be part of English 1A nor in the company of grand literature and scholars. I found myself in a class with other "literary dropouts" that had no desks and only beanbag chairs, a worn out couch and a whole wall of bookshelves heaving with nothing but Science Fiction on them. I thank the stars to this day, and often enough to realize that on that one percise moment in flunking english, I had the opportunity of a lifetime and a whole universe of discovery before me yearning to be read, written by Gods the likes of Clarke, Heinlen, Bradbury, Asimov, Herbert, Vonnegut and many many more for wanderlust mortals like myself. Thank you.

You will be missed.

décembre 09, 2007

"Pisser de l'oeil" - Art as Authority's
NEW artist project space

by Kevin Freitas


Pisser de l'oeil


Pisser de l'oeil or literally "Piss from the eye" in english, is rather vulgar slang (argot) that is meant to capture an emotion of looking at something visually that causes your eye to erupt in a stream of optical ecstasy in an almost involuntary reaction to something that is really really good. Pisser de l'oeil is very different in meaning from our colloquial expression here in the US of "seeing red" or being so angry our eyes become gorged with blood - Pisser de l'oeil has nothing to do with anger and is only concerned with beauty. What else would you expect from the French other than amour and passion when their language and culture, their art and poetry is awash in it? The French have many more colorful expressions that utilize the eye, a favorite being, Rincer l'oeil or "rinse (wash) the eye" when a beautiful woman passes in front of you.

Helas, on to more important things such as a new section to the Art as Authority blog, an artist project space where you can test drive your latest ideas, experiments and expressions. I invite you to submit your latest project(s) in the form of images, video, text, flash, sound or any other web based media to be included on the new blog devoted exclusively to experimental ideas. The goal is to offer the public some insight into the creative process and to witness some of the most contemporary of contemporary works being produced at this moment. This will also hopefully establish a dialogue and incite commentary from peers and readers alike.

Art as Authority is proud to present work by Lisa Ann Wilson, local San Diego artist who has exhibited in many galleries here and abroad and is currently working on a series of "cut-outs" collaged on to graph paper. They are exquisite little drawings that are simple, direct, and joyful laced with a twinge of bittersweet. I hope you will enjoy them as much as we do and leave your comments of encouragement or construtive criticism.

You'll find our new section here by linking to: www.artasauthority.com/pisserloeil

To see work by Lisa or to learn more, please go to: www.myspace.com/artoflisaannwilson

Please send your projects for possible inclusion on the blog to: artasauthority@artasauthority.com
There's more to it than meets the eye. Thank you.

septembre 10, 2007

San Diego Art - Viable? Fact or Fiction
San Diego Business Journal reports

by Kevin Freitas


sdbj.jpg
(Cover San Diego Business Journal - detail Volume 28, Number 37 Sept. 10 - 16, 2007)


A special report was published in the San Diego Business Journal today entitled "Artists Flourish in a Lesser-Known Market," written by special report editor Pat Broderick, who presents her findings just as she collected them - straight-up. Covering several points of view from local art dealers and players such as Mark Quint and Joseph Bellows, Hugh Davies (David C. Copley director of the MCASD), Carlsbad artists Dennis Batt and Nanette Newbry, Patricia Frischer and Joan Seifried from Art Girls, Inc. and co-organizer of the San Diego Art Prize and yours truly - Kevin Freitas amongst others, Broderick's article will hopefully stir up a potential (and much needed) discussion about San Diego's sustainability as an art market and art community. In fact to further assist you in this debate, there are three other articles to be gleaned about San Diego's art scene which can be found in print at your local newstand or online here, here, and here.

San Diego Art, Fact or Fiction - you decide.

juillet 07, 2007

Le grand départ - The 94th Tour de France - 2007

by Kevin Freitas


Le Grand Depart.jpg

What can I say, I love the Tour, can't live without it and look forward to it each year in July. Today was the prologue, a quick 8km ride through the streets of London. Fabian Cancellara from Team CSC (Danish) took the Maillot Jaune 23" ahead of George Hincapie Team Discovery (USA) who arrived third. Look for day to day stage results in the sidebar section of the blog. It can't get any better than this - ENJOY!

July 7 - July 29 - sport journal L'Equipe for more information

juin 07, 2007

SOLIDARITY - Chicago style *RALLY UPDATE*

From Paul Klein's Art Letter

Art Ordinance Rally Update

The rally is coming together really nicely for 5:30 PM Monday at the Picasso Sculpture in Daley Plaza . Rally for Artists’ Rights.

We are now a consortium of the following art groups: Lumpen, the Chicago Artists Coalition, Sharkforum, Around the Coyote, ArtLetter, Bridge Art Fair, Navy Pier Walk, Punk Planet, and Art Advisory, LTD. Everyone is distributing information. This is an exciting collaboration.

We have great speakers lined up for the rally: artists, aldermen, arts organizers, lawyers, men and women. The whole thing should be meaningful, significant, powerful and not much longer than 30 to 45 minutes. We expect a lot of artists and public support. Children are encouraged to attend. People are making signs. Be creative and upbeat. Face painting is okay. And we may have music.

It is really important that you attend! It’s about the numbers. We need people. Bring your neighbors. I am. This is not just for artists. It’s also for the public, the citizens, you and me – all of us.

There was an article in today’s Sun-Times spreading information about the rally. http://www.suntimes.com/entertainment/nance/421377,CST-NWS-art10.article

We cannot let the attitude of the Deputy Commissioner of the Public Art Department become the law in Chicago :

“Public art is a gift to the public from the government.”

“We’re the ones who have been working day in and day out with this process. We’re the ones who are most aware of its issues and we’re in the best position to determine how to address them.”

the “public is not well served by a vote”

That doesn’t sound like Democracy at Work to me! We need you! It’s time to step up or get stepped on.

Thank you very much,

Paul Klein

Continue reading "SOLIDARITY - Chicago style *RALLY UPDATE*" »

mai 09, 2007

A free Gilbert and George? Hurry and download now!

From the Guardian Unlimited and arts correspondent Charlotte Higgins:

An original work by artists and national treasures Gilbert and George would normally set you back many thousands of pounds. But from 11.30pm tonight a piece is being made available to anyone who wants it - for free.

more...

Thanks to Mid Atlantic Art News for the heads up.

Enjoy!

avril 29, 2007

Kudos



Tom Award.jpg

août 07, 2006

De l'art ou du cochon? Review - Hervé CRESPEL



Hervé CRESPEL

Hervé CRESPEL's current exhibit at La Ville Andon in Plélo, France was received warmly by many including the press. To see the complete review (in French) please click here.

EXPOSITION du 22 Juin au 10 septembre 2006
La Ville Andon - 22170 Plélo FRANCE


février 05, 2006

A Video Dad Dies at 73

by Kevin Freitas


Korean-born (Seoul) video artist Nam June Paik passed away at the age of 73, Sunday January 29, 2006 in Miami. Paik was widely considered the Father of video art. Often outspoken on the arts, Paik was inevitably mis-quoted at times. One of the more notable was during an interview with a Korean journal in saying, " Art is just fraud. You just have to do something nobody else has done before. " A more serious side of Paik revealed this in saying - in his constant belief and pursuit of combining art and technology - that it was " Not how to make another scientific toy, but how to humanize the technology and the electronic medium. "

My friend in Brussels, Michel Cleempoel, has this to say:

Je vous propose d'éteindre votre tv une minute en guise d'hommage.

www.michelcleempoel.be


For those of you who would like to learn and see more of Nam June Paik's artwork, check out his website:

www.paikstudios.com
"Et celle des artistes Fluxus? A-t-elle eu une grande importance pour vous?".

"Une très grande. Pour tout le monde d'ailleurs. Fluxus est une expérience communautaire. Il ne faut pas exagérer mon rôle; chacun a contribué à avec les moyens dont il disposait: renommée,argent, talent, mais l'attraction exercée par Fluxus était essentiellement politique. est le seul mouvement artistique depuis la 2e Guerre Mondiale qui ait été formé par des artistes, sans aucune aide officielle. International, décentralisé, désargenté, jeune, spontané, anarchiste avant tout, Fluxus a remporté un grand succès car les gens ont toujours caressé un vieux rêve anarchique".

"Pour vous, Fluxus, est-ce un concept artistique?".

"Non, c'est un mode de vie. Et puis, on ne peut jamais tout à fait cesser de penser Fluxus"...

From an interview by Dany Bloch with Nam June Paik, Les Nouvelles Littéraires, December 1978, n° 2664.