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octobre 30, 2008

"In case you're still undecided" - McCain and Obama on the arts

from Art & Seek Blog for North Texas and beyond and Julie Checkoway, The Salt Lake Tribune - "McCain's anticipated arts platform comes in at four sentences long"


McCain - Obama
photo REUTERS-Jim Bourg


Just the facts please:
OBAMA

"Reinvest in Arts Education: To remain competitive in the global economy, America needs to reinvigorate the kind of creativity and innovation that has made this country great. To do so, we must nourish our children's creative skills. In addition to giving our children the science and math skills they need to compete in the new global context, we should also encourage the ability to think creatively that comes from a meaningful arts education. Unfortunately, many school districts are cutting instructional time for art and music education. Barack Obama believes that the arts should be a central part of effective teaching and learning."

The Chairman of the National Endowment for the Arts recently said "The purpose of arts education is not to produce more artists, though that is a byproduct. The real purpose of arts education is to create complete human beings capable of leading successful and productive lives in a free society."

To support greater arts education, Obama will:

* Expand Public/Private Partnerships Between Schools and Arts Organizations: Barack Obama will increase resources for the U.S. Department of Education's Arts Education Model Development and Dissemination Grants, which develop public/private partnerships between schools and arts organizations. Obama will also engage the foundation and corporate community to increase support for public/private partnerships.

* Create an Artist Corps: Barack Obama supports the creation of an "Artists Corps" of young artists trained to work in low-income schools and their communities. Studies in Chicago have demonstrated that test scores improved faster for students enrolled in low-income schools that link arts across the curriculum than scores for students in schools lacking such programs.

* Publicly Champion the Importance of Arts Education: As president, Barack Obama will use the bully pulpit and the example he will set in the White House to promote the importance of arts and arts education in America. Not only is arts education indispensable for success in a rapidly changing, high skill, information economy, but studies show that arts education raises test scores in other subject areas as well.

* Support Increased Funding for the NEA: Over the last 15 years, government funding for the National Endowment for the Arts has been slashed from $175 million annually in 1992 to $125 million today. Barack Obama supports increased funding for the NEA, the support of which enriches schools and neighborhoods all across the nation and helps to promote the economic development of countless communities.

* Promote Cultural Diplomacy: American artists, performers and thinkers - representing our values and ideals - can inspire people both at home and all over the world. Through efforts like that of the United States Information Agency, America's cultural leaders were deployed around the world during the Cold War as artistic ambassadors and helped win the war of ideas by demonstrating to the world the promise of America. Artists can be utilized again to help us win the war of ideas against Islamic extremism. Unfortunately, our resources for cultural diplomacy are at their lowest level in a decade. Barack Obama will work to reverse this trend and improve and expand public-private partnerships to expand cultural and arts exchanges throughout the world.

* Attract Foreign Talent: The flipside to promoting American arts and culture abroad is welcoming members of the foreign arts community to America. Opening America's doors to students and professional artists provides the kind of two-way cultural understanding that can break down the barriers that feed hatred and fear. As America tightened visa restrictions after 9/11, the world's most talented students and artists, who used to come here, went elsewhere. Barack Obama will streamline the visa process to return America to its rightful place as the world's top destination for artists and art students.

* Provide Health Care to Artists: Finding affordable health coverage has often been one of the most vexing obstacles for artists and those in the creative community. Since many artists work independently or have non-traditional employment relationships, employer-based coverage is unavailable and individual policies are financially out of reach. Barack Obama's plan will provide all Americans with quality, affordable health care. His plan includes the creation of a new public program that will allow individuals and small businesses to buy affordable health care similar to that available to federal employees. His plan also creates a National Health Insurance Exchange to reform the private insurance market and allow Americans to enroll in participating private plans, which would have to provide comprehensive benefits, issue every applicant a policy, and charge fair and stable premiums. For those who still cannot afford coverage, the government will provide a subsidy. His health plan will lower costs for the typical American family by up to $2,500 per year.

* Ensure Tax Fairness for Artists: Barack Obama supports the Artist-Museum Partnership Act, introduced by Senator Patrick Leahy (D-VT). The Act amends the Internal Revenue Code to allow artists to deduct the fair market value of their work, rather than just the costs of the materials, when they make charitable contributions.




John McCain

"John McCain believes that arts education can play a vital role fostering creativity and expression. He is a strong believer in empowering local school districts to establish priorities based on the needs of local schools and school districts. Schools receiving federal funds for education must be held accountable for providing a quality education in basic subjects critical to ensuring students are prepared to compete and succeed in the global economy. Where these local priorities allow, he believes investing in arts education can play a role in nurturing the creativity of expression so vital to the health of our cultural life and providing a means of creative expression for young people."

octobre 29, 2008

Eric Wixon at Art Produce Gallery



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octobre 27, 2008

Early Voting - Have You?

by Kevin Freitas


I did today and "I feel good...!"


Ballot stub

octobre 25, 2008

Indigenous Art

by Richard Gleaves



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octobre 24, 2008

Futurist Cuisine: The Good Old Days

by Richard Gleaves

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The polemics in The Futurist Cookbook were followed by an elaborate account of some Futurist banquets. One of the more memorable of these Aeropranzi futuristi was a banquet for 300 people held on 18 December 1931 at the Hotel Negrino in Chiavari. Guests were delighted and terrified as they braced themselves to ingest dishes prepared by the famous cook Bulgheroni, who had come especially from Milan to this small Ligurian town to preside in the kitchen over the burial of pastasciutta.

Although the Futurists had advocated the abolition of eloquence and politics around the table, the guests nevertheless first had to sit through a lecture by Marinetti on the state of world Futurism. Afterward, the meal began with a flan of calf's head seated on a bed of pineapple, nuts, and dates, stuffed—oh, surprise!—with anchovies. Then, to cleanse the palate, Bulgheroni served a decollapalato (a pun on decollare, meaning "to get off the ground"), a lyrical concoction of meat broth sprinkled with champagne and liquor and decorated with rose petals.

The main dish was beef in carlinga (another aeronautic term, probably referring to a kind of Dutch oven), meatballs—whose composition was best left uninvestigated—placed over airplanes made out of bread crumbs. After a few more dishes the dessert, named eletricita atmosferische candite, arrived, consisting of colorful little cubes made of fake marble crowned with cotton candy that enclosed a sweetish paste containing ingredients only a long chemical analysis could disclose.

Not everybody made it to the end of the dinner.

  — Romy Galan, Ingestion/Anti-Pasta, Cabinet Magazine, Issue 10, Spring 2003


octobre 23, 2008

« Itinéraire rouge : Homme de fer, indiens, hauts fourneaux, et autres no man’s land » - Armand Lestard



Armand Lestard
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Armand Lestard is a French artist who lives and makes his art in Paris. I met Armand several years ago when I ran my gallery in Brussels. His first exhibit was quite an event. It included music and a performance where Armand wearing a metal wedge he fabricated, just large enough to fit over his head with handles to hold on to, busted through a wall of plaster blocks behind a sealed up doorway, lying on the concrete floor, and being dragged the whole length of the gallery by an electric winch located outside. He was also part of a larger group exchange exhibit between Belgian and UK artists entitled Terre à Terre.

Armand finds himself back in Belgium, in Liège this time, for a one-person show at Aux Brasseurs entitled « Itinéraire rouge : Homme de fer, indiens, hauts fourneaux, et autres no man’s land » (Red Itinerary: Iron Man, Indians, Blast Furnace, and other No Man Lands) opening the 15th of November 2008. At the off chance you find yourselves anywhere near this beautiful city, pay a visit to Armand and check out his show - you won't regret it. KF


COMMUNIQUE DE PRESSE/PRESS RELEASE

Exposition d’Armand Lestard
« Itinéraire rouge : Homme de fer, indiens, hauts fourneaux, et autres no man’s land »

Vernissage le samedi 15.11.2008 à 18 H
du 19.11 au 20.12.2008

« Il y a une force qui me pousse à partir et une autre à revenir. Un instinct de retour à mon habitat d’origine comme un oiseau migrateur. » Bruce Chatwin, L’Alternative nomade

Rendre compte pour rendre hommage, ne pas laisser vides les trous de la mémoire et réactiver ainsi les braises des foyers éteints.

C’est dans cet état d’esprit qu’Armand Lestard est revenu au pays, une petite banlieue de Lorraine où il passa son enfance, le spectacle y est désolant, les hauts fourneaux exsangues, les ouvriers désoeuvrés, la maison de ses grands-parents mise en vente, bref, liquidation totale et ce fut le déclic sur fond de rage.

Naissent alors des sculptures, des dessins, des peintures, des installations : une coulée continue poétique, un « itinéraire rouge » qui trouvera à Liège, cet autre bassin industriel au passé florissant, cet autre creuset des luttes sociales,un écho particulier qui ravive en chacun un pan de notre histoire collective..


Armand Lestard


Investissant les trois plateaux des Brasseurs, Armand Lestard a donc conçu toute son exposition comme une plongée dans le cœur de l’univers de l’acier, dommages collatéraux dûs à la crise économique mais aussi à la nostalgie de l’enfance compris.

Des peintures de hauts fourneaux décapités, des dessins de ses cousins écoutant début des années 60 des rocks américains, la reconstitution de la petite maison ouvrière de sa grand-mère y côtoient un gigantesque « tipi » réalisé en aluminium type « couverture de survie », des sculptures de fonte à l’effigie des métallos ou encore des images infernales réalisées cet été lors de la réouverture de la coulée continue à Chertal.

A découvrir dans le cadre du 5ème cycle d’expositions individuelles « Dissidence » proposée par les Brasseurs et celui de « Destinations Delvaux » organisée par la Ville de Liège.

Exposition accessible du mercredi au samedi de 13h à 18h
nocturne le jeudi jusque 20H et sur rendez-vous.

Aux Brasseurs, rue des Brasseurs, 6, 4000 Liège
Tél : +001324.221.41.91
www.brasseursannexe.be
brasseurs@brasseursannexe.be


Armand Lestard
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Armand Lestard




Armand Lestard




Armand Lestard
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Armand Lestard
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octobre 22, 2008

DADA Dinner - SOLD OUT!

by Kevin Freitas


Exquisite Corpse

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Michele Guieu
Dave Ghilarducci
Kevin Freitas
& Invited Guests

octobre 20, 2008

Laurie Anderson at UCSD



Laurie Anderson


from: Patrick Anderson, Assistant Professor Department of Communication

World-renowned musician and performance artist Laurie Anderson will be visiting our campus, and has agreed to appear at a public roundtable with UCSD faculty from the Departments of Anthropology, Communication, Critical Gender Studies, Ethnic Studies, Theatre & Dance, and Visual Arts. Laurie's performance of her new work, HOMELAND, will happen at Mandeville Center, 8pm on Monday; the roundtable will be at 9AM on Tuesday in the LOFT space of the new Price Center East. The Tuesday event is FREE and OPEN TO THE PUBLIC; student tickets for Monday's performance are $10 at can be purchased through ArtPower.

octobre 18, 2008

2009 San Diego Art Prize

by Kevin Freitas


San Diego Art Prize


The emerging artists nominated for the San Diego Art Prize season 2009 have been announced. They are:

David Adey
Tania Alcala
Michele Guieu
Keikichi Honna
Omar Pimienta
Daniel Ruanova
Marisol Rendon
Tara Smith
Matt Stallings
K.V. Tomney
Jen Trute
Gustabo Velasquez
Yuransky

A group showing of work by the selected artists, entitled "New Contemporaries II", will be on view at

Noel-Baza Fine Art
Thurs, February 19, 2009 – Sat. March 21, 2009
Public opening Kettner Night, Friday, March 13, 6 to 9 pm
2165 India Street - San Diego, CA 92101
Gallery Hours: 11-6 Tuesday-Thursday, 11-8 Friday and Sat. closed Sun, Mon
Info: Patricia Frischer 760.943.0148 or noel-baza@cox.net - 619.876.416
More information can also be found here.


And in case you have forgotten, the goals of the SD ART PRIZE, as presented by the San Diego Visual Arts Network, are to:

* Recognize and celebrate existing visual art accomplishments by spotlighting local artists.

* Create an exciting event that facilitates cross-pollination between cultural organizations and strengthens and invigorates the San Diego Visual Art Scene.

* Broaden the audience of the visual arts in San Diego by gaining national attention to the competition through a dedicated media campaign.

* Promote the vision of the future role that the visual arts will play in the San Diego community as lively, thriving, positive and empowering.

* Expand the infrastructure of spokespeople/art celebrities who can bring awareness to San Diego and perform as role models for our student artists.


I've got my favorites picked out already, but you never really know do you... KF

3 Things Artists Want

by Kevin Freitas


from The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art





Guggenheim New York

octobre 15, 2008

Imagine a World Without Art - Jim Yuran asks

by Kevin Freitas




octobre 08, 2008

Incoming 2 - San Diego

by Kevin Freitas


Some of the best of the best...


North Park Nights

North Park Nights
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CRAIG KANE

Recollection
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DAVID ADEY

David Adey
David Adey - "Misha Barton for Bebe", 2008, bus shelter poster disassembled with craft punches and re-assembled with pins on foam, framed, 72 x 48 inches | 183 x 130 cm


DAVID ADEY
I've got a river of life flowing out of me

October 18 - November 20, 2008

Opening Reception: Saturday, October 18, from 6:00 to 9:00 pm

LUIS DE JESUS SEMINAL PROJECTS is pleased to announce DAVID ADEY: I've got a river of life flowing out of me, opening October 18 through November 20, 2008. An artists' reception will be held on Saturday, October 18, from 6 to 9 pm.

For his first solo exhibition at Seminal Projects, titled I've got a river of life flowing out of me, David Adey continues to explore and expand upon an ingenious photo-sculptural strategy that he developed in early 2007 using craft punches and pins. Although Adey's style is complex and difficult to categorize, his work manages to maneuver, with liquid ease, between the sacred and profane, high and low--as well as photography, sculpture, video and installation. The works in this exhibition will include both small and large-scale images appropriated from recent covers of People magazine and "Bebe" fashion bus-shelter posters.

David Adey's work traverses between the perverse and the spiritual as it brings to the fore issues of religion, sexuality, and desire, collecting and consuming, and pop-culture and its obsession with celebrity. Adey invites the viewer to examine Western culture's fetishization of the flesh via the media's seemingly endless preoccupation with the "beautiful" bodies of female and male stars and starlets. There is an omnipresent touch of the macabre--a maniacal precision of the serial killer about his work--that makes it all the more prophetic. Adey's photo-sculptural strategies leave the viewer to ponder who and what will end up defining contemporary culture, historically, and to provoke questions into the very subject and essence of worship today.

Art critic and blogger Kevin Freitas (artasauthority.com) has made this incisive observation of David Adey's work: "Using ordinary 'craft' punches, Adey pilfers today's fashion magazines and dissects hundreds of flesh tone shapes from the models glamorously displayed within their glossy pages, and then resurrects the victims in works that are simply astounding in their complexity of design and simplicity of idea and construction. Each punched shaped is pinned (crucified) like some entomological collection to a Styrofoam background and turned into some of the most sensual and seductive--devilish and pornographic--orgy of sublime collages ever seen. Adey's transformations show that it is not any more bizarre to take a digital image of a "live" model, reproduce it and present it as an actual living breathing being-as truth-then it is to reverse that process, as he does, by bringing an idea or "impression" back into the realm of an object or fact. He is a magician and a whore, figuratively speaking, turning tricks in an ultimate visual game of pure seduction and sensations...visually reproducing the pleasures of the surface time and time again."

David Adey earned his MFA in 2002 from Cranbrook Academy of Art, Bloomfield Hills, MI., and BA in 1994 from Point Loma Nazarene University, San Diego, CA. He lives in San Diego and is currently professor in the Department of Art & Design at Point Loma Nazarene University.

David Adey has been nominated for the 2008-2009 San Diego Art Prize. Seminal Projects will present a major ceramic and neon sculptural installation by David Adey at the Aqua Wynwood Art Fair in Miami this coming December 3-7, 2008. For further information, please contact Luis De Jesus at 619-696-9699, or email info@seminalprojects.com

LUIS DE JESUS SEMINAL PROJECTS
2040 India Street
San Diego, CA 92101

T 619.696.9699
F 619.696.9799

octobre 05, 2008

Ed Klima

by Richard Gleaves

klima.jpg


Linguistics professor Ed Klima passed away on Sept. 25.

Best known for his research on the signed languages of the Deaf, Klima and co-researcher Ursula Bellugi showed that signed languages are the full equivalent of spoken languages, with detailed grammars expressed in a purely visuospatial modality — a notion with serious implications for the visual arts, and one yet to be explored.

Ed is less known as a teacher, and a great one. He taught an undergraduate poetics class which revealed both a love of poetry and a soul that radiated a highly-refined bohemian goodness. His bio shows him having spent a year in Paris during the 50's, and everything beneficent that one might imagine from such an experience seemed to have infused his soul.


octobre 04, 2008

Final Week! "Urban Detritus" by KAI ONE at
Art Produce Gallery

by Kevin Freitas


Dance Performance by transcenDANCE Saturday, Oct. 11 @ 7:30pm and 8:30pm. In conjunction with Art Produce Gallery, Art @ the Core, North Park Nights and Art as Authority. Come share in the festivities as the North Park Nights (NPN) arts organization kicks-off its opening night events with exhibits, performances, music and dance. Updates coming soon at North Park Nights.


Urban Detritus by KAI ONE

octobre 01, 2008

Abstracted at Artifact - Oct. 4



Abstracted at Artifact