mai 05, 2008

"Alright Man" - SOKE interview



Soke


SOKE is interviewed by KAI1


My pal Soke here, has dabbled in all aspects of criminal life spanning across all 50 states including Canada, and of course Mexico. He has been engulfed in the modern graffiti culture playing a major role for the last decade in the southwest. He now makes a modest living doing murals and selling paintings. - KAI1

KAI1: Alright man – tell me about doing some graffiti.

SOKE: What types of graffiti are you talking about?

K: Whatever types of graffiti you like to do man.

S: As long as its graffiti I like to do everything. I prefer doing filler bombs with black and white, preferably Kilz tips as high as I can reach on freeways and abandoned buildings. I also like to use the canvas of nice vehicles leaving the club, such as Hummers i.e. Escalades, any kind of Audi, even if it’s a nice Mitsubishi. I like to adorn them with my name in numerous places.

Continue reading ""Alright Man" - SOKE interview" »

mai 01, 2008

Artwork for purchase - Julien Colombier - "90 Grammes"

The following works by French artist, Julien Colombier, are hand-painted with acrylics, spraypaint and marker on paper (kraft) grocery bags. Each piece is an original painting, and was part of a larger installation, produced specifically for Julien's first one-person and highly acclaimed exhibit in the United States, at the Art Produce Gallery, San Diego in March 2008.

Every bag purchased will come with a 8" x 10" color photo of the installation, artist bio, and press clippings. (see image below) Please direct all inquiries and questions to artasauthority@artasauthority.com All purchases will be securely packed and fully insured for shipping. Shipping: $15 in the U.S. Outside the U.S. - please inquire for rate. Please specify the size, and the number of the bag - in brackets [ ]
Don't wait, get the one you want now!



Julien bags install.jpg
Installation Art Produce Gallery - March 2008




10" x 12.5" $75.00 each


10 x 12.5 - 1
size/number: 10" x 12.5" - [1] $75.00


MORE...

Axelle Rioult - "encore tant" - expo



Axelle Rioult


Un temps donné
Un espace laboratoire étroit comme une boîte crânienne
Des éléments choisis, associés, en transition
10, 9, 8, 7, 6, 5, 4, 3, 2, 1, 0…
Un lapin ramassé sur une route à quatre voies, la chasse est parfois involontaire,
avoir l’oeil
L’arme n’a pas le même calibre
Une séance de cuisine et quelques fraîches…
Un souvenir, deux oublis
Aux limites des mots et des images.

Si vous cherchez fébrilement le moment propice pour vous précipiter découvrir la
dernière expo de la saison, nous vous suggérons l'une des plusieurs collaborations qui sont prévues:

Le 17 mai à 18h30, lors du vernissage : intervention du cuisinier créateur Pierre Moussaoui
le 6 juin à 20h : soirée performances avec Sylvie Alexandre (performance voix/labyrinthe vocal), Benoît Casas (artiste, poète, performeur, éditeur), et Patrick Martin (musicien botaniste).

Exposition: 26 avril 2008 au 21 juin 2008 / april 26 - june 21, 2008
vernissage / opening: le samedi 17 mai de 17h à 20h / the 17th of May from 5 to 8 pm

le petit lieu poileboine
8-10 rue de l'église de Vaucelles
14000 Caen

tel. 011332 31 83 20 35

avril 28, 2008

I'm just sayin' - Edwin Decker

Bagged - May-ling Martinez
"Bagged" (detail) - May-ling Martinez
(photo: May-ling Martinez)


I thought it apropos to have Edwin Decker, writer, performance artist, and homme extrordinaire, honor the virtual pages of Art as Authority - which he so graciously accepted to do - notably, for his award winning performance at the California Center for the Arts Escondido Performance Slam, and his text spoken that night, which can be found in its entirety below.

I am one of the very few who do not yet fully grasp the breadth of this man's talent, having just met him briefly that fateful night - well, actually we just smiled at each other as I mumbled a few congratulatory words to him, but, I was nonetheless impressed. Being impressed is not good enough however, so having an ulterior motivation is helpful, not necessary, but it makes me look clever.

I wanted to post Ed's piece for its humorous and satirical take on the "Innocence is Questionable" exhibit at the CCA, but also because it conveniently fell inline with my own sentiments - and I mean exactly. Besides, if you don't show up for the party that was planned and given in your honor - uh, that would be the artists in the exhibit - you never hear what good was said about you. It is unfortunate for them but great for Ed, and wonderful for us. Thanks Ed, stop by anytime. kf





THE name of this exhibit is, “Innocence is Questionable,” about which, the brochure says, “Ultimately, what each of these artists question is whether or not the folly of the world is the responsibility of man?

It’s a synopsis which makes me wonder, how does a great artist illustrate the subjects he or she finds “questionable”?

I look at these paintings and I see the man-made uglies of this urban life made beautiful: The mall escalator, the casino, the toilet in the desert, even the depiction of Best Buy, so bounteous, and blue, and expansive that it becomes a planet unto itself; making me instantly understand that I need another flat screen TV – you know – for the bathroom.

Continue reading "I'm just sayin' - Edwin Decker" »

avril 25, 2008

Urban Homestead Project

LJ_gothic.jpg



Housing being too expensive in San Diego, I set out to realize my lifelong dream of homeownership by approaching the problem as an art project.

Continue reading "Urban Homestead Project" »

avril 24, 2008

Inside the Wave: Six San Diego/Tijuana artists
construct social art - A Review

Patricia Frischer, is founder of the San Diego Art Prize along with Ann Berchtold and Joan Seifried, and is also the force behind San Diego Visual Arts Network (SDVAN) - an online métropole of artist resources and arts info unique to San Diego. A long time supporter of Art as Authority, Patricia, is debuting on our pages for the first time in a gesture of cultural cross pollination and collaborative exchange, with a review of "Inside the Wave: Six San Diego/Tijuana artists construct social art" on view at the San Diego Museum of Art. We welcome Patricia, and hope you will too. Enjoy! kf




The particle group, funded by Calit2 and UCSD Arts & Humanities, is among the artists represented in the new San Diego Museum of Art exhibition, Inside the Wave
The *particle group*


The San Diego Museum of Art exhibition Inside the Wave was named by its curator Betti-Sue Hertz for its insider view of a new wave of artists not shown at the museum before. I attended the lecture/panel discussion where they all made presentations including a live Skype hook up with Adriene Jenik from Singapore. Brian Dick, Allison Wiese, Zlatan Vukosavljevic and Nina Waisman from the *particle group* and Bulbo presenting Tijuaneado Anonimos were the other five presenters.

Continue reading "Inside the Wave: Six San Diego/Tijuana artists
construct social art - A Review" »

avril 23, 2008

High-end graffiti



Behold the power of the white cube, temple of the contemplative arts.

http://www.youtube.com/watch?v=96TyAQ7KnVQ


avril 20, 2008

Last Week! COPY Show ends April 25th



COPY


Simayspace @ the Academy
The Art Academy of San Diego
840 G Street
San Diego, CA 92101
619.231.3900

COPY features installation work and collages by San Diego artists Richard Gleaves and Joey Burns, drawings by French artist Hervé Crespel and by Indiana/Chicago artist Tom Torluemke, and a mural by Arizona graffitist KAI1.

Exhibit ends Friday, April 25th - HURRY!

avril 15, 2008

El Anatsui at San Diego State University



El Anatsui - Earth Growing Roots

(sculpture pictured above) El Anatsui - "Earth Growing Roots"
Collection of Nancy and Dave Gill
Courtesy Jack Shainman Gallery, New York



Well, miracles can happen it seems, and having El Anatsui's work on exhibit here in San Diego is, it appears, one of those times. I saw a larger show of his work in the Fowler Museum at UCLA last year, and have been a devoted fan ever since. El Anatsui is originally from Ghana and is currently Professor of Sculpture at the University of Nigeria, Nsukka, Nigeria.

"Earth Growing Roots" was organized by Tina Yapelli, director of the University Art Gallery at San Diego State. This show, much smaller in scale than its counterpart in UCLA, only contains seven works, modest in size, with the exception of an untitled work measuring 123 x 195 inches. Yapelli writes, in a small exhibit brochure (for those of you unfamiliar with El Anatsui's pieces), "Using copper wire, El Anatsui joins together foil bottleneck wrappers and metal bottle caps - refuse from empty liquor containers - to create colorful, fabric-like wall sculptures that juxtapose the social, political and cultural history of Africa with the stylistic and conceptual idioms of Western art practice... They (also) refer to the traditional woven kente cloth and stamped adinkra symbols of Ghana, the reductive imagery of geometric abstract painting, the pressing ecological issues of consumerism and waste, and the historical and ongoing impacts of the global marketplace."

I'm not so sure, that one or any, artwork, can possibly make so many claims, but even so, these smaller pieces appear to be more formally "self-conscious" and structurized, moving from the traditional motif to the more stylized, literal, and graphic. For example, a work like "Bleeding Takari," riddled with square holes of red metal, pours out brightly colored hemoglobin ribbons, down to the metal fabrics edge and beyond, as they appear to cling and drip onto the polished gallery floors.

Still, this exhibit is stunning in it's presentation and will likely leave you asking for more. It should not be missed; hurry though, it's only on view until May 7th.

Continue reading "El Anatsui at San Diego State University" »

avril 10, 2008

[de]LUX ART INSTITUTE



In October of 2004, my cousin Paula and I stepped into the Paul Kopeikin Gallery on Wilshire Blvd. and saw a magnificent large painting of an angelic-looking blonde female clothed in a beautifully rendered dress of greens and flowers painted in the style of the Renaissance masters. It was at that time that we "discovered" the artist Julie Heffernan. My cousin was more enthusiastic about Julie's painting at the time than I was (my taste in art veered more towards the abstract, weird, and contemporary). But, I admired the artist's amazing painting skills!

Occasionally Paula, who lives in New York, would ask me if I could find out (via computer - my cousin doesn't do computers) if Julie Heffernan was showing in the NY area. To make a long story shorter, Paula became obsessed with Julie's art, and I had gone onto other things. Fast forward 2 1/2 years. I was checking the Night and Day section of our paper recently to see if a local gallery I was interested in was listed among the chosen few. It was not. However, on that very page, my eyes caught an artist's name that I would normally associate with showing only in LA or NYC. It was none other than Julie Heffernan! AND... she was showing at the LUX Art Institute in Encinitas - a place I had heard about but never been, yet!


Julie Heffernan, Self Portrait with Men in Hats, oil on canvas, 2007 Courtesy PPOW
Julie Heffernan - Self Portrait with Men in Hats,
oil on canvas, 2007 Courtesy PPOW Gallery


OMG!! Do I dare call my cousin Paula and tell her WHO is showing here?? Would she have a heart attack? Unfortunately, she and her family are struggling financially, and a flight out here to see the show would only add more $$ to their 6-figure debt. But I did tell Paula, and, as upset as she was, wanted me to "claw" all Heffernan literature, postcards, ("oh and if there is a catalog of the show, please please please?!" ) when I go to LUX. Not wasting any time, I phoned LUX for directions (I sort of knew the general vicinity) and was a bit surprised when they told me it was behind a Kindercare - HA! I could see the wee ones skipping uphill behind their facility to get some culture at LUX!

If you read LUX's mission statement below, you see the words - "make art more accessible - see the artistic process firsthand - internationally recognized artists." I like that! So, I decided to go on a Friday afternoon to see this artistic process firsthand by the artist my cousin would KILL to see again, let alone to watch her paint (please email me your donations to transport my cousin out here).

I was captivated by LUX, the building looks like something out of the pages of dwell magazine. I COULD live in it - EASILY - for those of you not familiar with dwell, the building is very minimally modernistic. It was designed by Renzo Zecchetto (oh how I love those Italians, they KNOW how to design). Nestled into a hillside, it is one of only a few "green" buildings in SD county. WOW!! As I approached the gallery and resident artist "studio," I noticed a beautifully draped section of the gallery. Some of the sheer white curtain was pulled back so you could view the artist creating a new work. And lo and behold, there was Julie Heffernan, with a few brushes in her hand, busily sketching onto a large canvas. I could smell the oil paint so strongly, an odor I never get to smell (I paint with innocent acrylics). The radio was stationed on talk radio, a folding chair, a table full of paint tubes, the usual studio accoutrements!

Continue reading "[de]LUX ART INSTITUTE" »

avril 09, 2008

"Noyer le Poisson" & The Decline and Fall
of Western Civilization*

OR is Innocence is Questionable, questionable? Thoughts on "artspeak" and the presumed innocence of the California Center for the Arts, Escondido.


"WHY is so much curatorial writing so dreadful?... My first assumption is that there's a generation of curators who went to college and grad school in the 1980s and '90s, when the congested language of Deconstruction, Critical Studies and so on still seemed important, intrepid and even a little glamorous."
--Richard Lacayo, critic, TIME magazine. The Decline and Fall of Western Civilization, April 1, 2008.

"Turgid"
Main Entry: tur·gid
Function: adjective
Etymology: Latin turgidus, from turgēre to be swollen
Date: 1620
1: being in a state of distension : swollen, tumid [turgid limbs]; especially : exhibiting turgor
2: excessively embellished in style or language : bombastic, pompous [turgid prose]
--Merriam-Webster

"Noyer le poisson" (lit. "to drown the fish")
French slang
1: to cloud or dilute, blend. hide truth [fish tale]


nekhau
Egyptian; Lisht North - Gold, beryl - ca. 1981–1640 B.C., The Metropolitan Museum of Art
"Ancient Egyptians called fish amulets like this nekhau and gave them to young girls to wear as a charm against drowning."


FACT #1: I've been hesitant to tresspass upon an exhibit, that, I am simultaneously involved in as public spectator (art critic, if you will) and unpaid participant, insomuch as my participation is not related to the show's organization, but its support.

FACT #2: I haven't picked up a copy of TIME magazine in over 10 years. I stopped reading TIME - I never read the whole magazine anyway, just the art reviews - when Robert Hughes left his outpost as the magazine's art critic. Born in Australia, Hughes, among other professional and literary activities inbetween, moved to New York in 1970 to become TIME magazine's leading and most influential critic of the arts. He is an obvious hero of mine, a major influence, and a consistent inspiration to this day. I still recall, screening The Shock of the New on VHS, in the University's (UCD) lecture hall during a class entitled, Art Since 1945.

FACT #3: Ignorance is bliss, and so, I have not read anything by TIME magazine's (new?) critic Richard Lacayo, until now. I'm going to start though, if his recent article, The Decline and Fall of Western Civilization, and the quote referenced above, are any indication of the commentary I'll be viewing.

Continue reading ""Noyer le Poisson" & The Decline and Fall
of Western Civilization*" »

avril 08, 2008

Corporate Graffiti



City officials suspect that 40 percent of Los Angeles' 11,000 billboards were installed illegally, and that the city Building and Safety department has not been enforcing the billboard laws.

In 2002 the LA City Council voted to require city inspectors to inventory all existing billboards. One month later the billboard companies filed a federal court injunction which stopped the inventory effort.

A 2006 legal settlement with the city allowed the billboard companies to begin converting a portion of their billboards to electronic LED displays. In return the companies agreed to provide the city with a list of all their billboards, both legal and illegal.

Two weeks ago the City Council learned that rather than providing the list, the companies instead delivered several boxes of documents and an unreadable electronic file purporting to contain the list.

CBS and Clear Channel, two of the largest billboard companies, are now suing the city to prevent it from releasing any list of billboards to the public, on the grounds that such a list constitutes a "trade secret."

City activists have demanded that the list be made public so they can protest the billboards that illegally deface the city.

Link

avril 05, 2008

Performance Slam - SD Art Prize
California Center for the Arts, Escondido



Performance Slam

SD Art PRIZE: Recognition of Excellence in the Visual Art


Performers

Performance Slam multi-genre Invitational, April 20 from 5 to 7 pm in support of the exhibition, Innocence is Questionable

Featuring 2006/2007 SD Art Prize Artists:
Raul Guerrero and emerging artist Yvonne Venegas
Jean Lowe and emerging Artist Iana Quesnell
Ernest Silva and emerging Artist May-ling Martinez

Performers:
Art criticism - Kevin Freitas, Art as Authority
Dance - Sara Plaisted, Urban Tribal Dance
Instrumental - Zuriel Waters
Poetry - Jaysen Waller
Performance art - Ted Washington, Pruitt Igoe
Satire - Ed Decker
Theater - Marilyn Klisser and Aura Thielen, Emerge Art Center
Stage Manager - Mercedes Casey

Continue reading "Performance Slam - SD Art Prize
California Center for the Arts, Escondido" »

avril 03, 2008

Tom Torluemke in Terre Haute, Indiana



Teaching - Tom Torluemke


Tom Torluemke is in the news again, this time, with a wonderful article about his current mural project in Terre Haute, Indiana. Tom was commissioned by Indiana State University, in conjunction with the Gilbert Wilson Memorial Mural Project, to paint a mural on the side of the Booker T. Washington Park Community Center. The image (above), entitled "Teaching," was chosen for the Community Center's wall over "lots and lots" of other proposals up for review. We here at Art as Authority say, "Congratulations Tom!"

You can also see some of Tom's drawings here in San Diego, currently on view in the COPY exhibit, downtown, at Simayspace Gallery through April 25th.

Read an excerpt of the Terre Haute article below.


Onlookers being drawn to new mural as artists begin work on ‘story’
New artwork expected to be complete by early May

By Deb Kelly
The Tribune-Star

TERRE HAUTE — The picture beginning to emerge on the north wall of the Booker T. Washington Park Community Center already has begun to attract some attention from curious onlookers, according to the artist.

Tom Torluemke, a painter ... continue reading

mars 31, 2008

Critical COPY or A Critic Critiques a Critic
This is how I roll.



Kevin Freitas and BodyMarks Tattoo


The COPY exhibit currently on view at the Simayspace Gallery downtown got some copy, today, in the form of a nice article and review of the show, by San Diego Union Tribune's art critic, Robert Pincus. The long hours of planning, ideas and physical work that went into the organization of this exhibition, paid off. I'm grateful.

This show of course, couldn't have been possible without the help, good faith and excellent work provided by the artists who participated. I take this opportunity to thank all those who helped in the planning and execution of this event (and if you think this is sounding like an acceptance speech for an Academy Award, you would be right - I'm elated.)

Thanks to the artists: Richard Gleaves, KAI1, Joey Burns, Tom Torluemke, Herve Crespel and Bret Barrett; gratitude for Doug Simay at Simayspace Gallery and the Art Academy of San Diego for the invitation and letting me be the "first;" Mark over at BodyMarks Tattoo on El Cajon Blvd. for playing a major role in the performance; Patricia Frischer for being a sounding board to last minute ideas; Elliott Linwood for curatorial advice at a crucial moment; and finally, Robert Pincus from the San Diego Union Tribune.


Freitas follows the rabbit down the hole
Curator strives for an 'Alice in Wonderland' feel to exhibit at Simayspace

By Robert L. Pincus
ART CRITIC
March 30, 2008

Kevin Freitas has placed a big desk in the current exhibition he's curated for Simayspace downtown. It even has his nameplate on it, with his title (art critic) in French ... more

Continue reading "Critical COPY or A Critic Critiques a Critic
This is how I roll." »

mai 2008

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Categories


Archives


Pisser de l'oeil - Artist Project Space
HouseHome
Brad Streeper
RECON - by Poor Al
Terre à Terre
ARTSPROJEKT
Obama 08

PICK of the WEEK

Who the $#%& is Jackson Pollock?

Teri Horton.jpg

Info



Crapoter(fr): to smoke without inhaling. What Clinton claims to have done while Obama is quoted as saying, "The point was to inhale. That was the point."

JFK.jpg




CONTRIBUTORS
Hérve Crespel
Richard Gleaves
Maura Vazakas
KAI1.jpg
Julien Colombier

"L'audace, l'audace, toujours l'audace" - Frédéric le Grand

"If revolution can give art a sword then art must give revolution its service" - Lunacharsky

Like to join the contributing staff of writers at Art as Authority? Do you want to write about what's going on in your local city or arts community? Send us reviews, critiques, short stories, announcements, anything related to arts and culture, wherever you are, and we'll do our darndest to publish it. For more information or submissions, please send all inquiries HERE. Thank you.

San Diego Blog News

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Kai1 Tower




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